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‘On the Road to Shambala’ Drawing

Philip Leister

Drawing, Acrylic on Canvas

Size: 24 W x 30 H x 0.2 D in

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Wash away my troubles Wash away my pain With the rain in Shambala Wash away my sorrow Wash away my shame With the rain in Shambala Ah ooh yeah Yeah yeah yeah yeah yeah Ah ooh yeah Yeah yeah yeah yeah yeah Everyone is helpful Everyone is kind On the road to Shambala Everyone is lucky Everyone is so kind On the road to Shambala Ah ooh yeah Yeah yeah yeah yeah yeah Ah ooh yeah Yeah yeah yeah yeah yeah How does your light shine In the halls of Shambala How does your light shine In the halls of Shambala I can tell my sister by the flowers in her eyes On the road to Shambala I can tell my brother by the flowers in his eyes On the road to Shambala Ah ooh yeah Yeah yeah yeah yeah yeah Ah ooh yeah Yeah yeah yeah yeah yeah How does your light shine In the halls of Shambala How does your light shine In the halls of Shambala Tell me how does your light shine In the halls of Shambala Tell me how does your light shine In the halls of Shambala Ah ooh yeah Yeah yeah yeah yeah yeah Ah ooh yeah On the road to Shambala Ah ooh yeah To Shambala Ah ooh yeah On the road to Shambala ‘Shambala’ by Three Dog Night Songwriter: Danny Moore "Shambala" is a song written by Daniel Moore and made famous by two near-simultaneous releases in 1973: the better-known but slightly later recording by Three Dog Night, which reached No. 3 on the Billboard Hot 100, and a version by B. W. Stevenson. Its title derives from a mythical place-name also spelled Shamballa or Shambhala. Lyrics: The song's actual lyrics are about the mythical kingdom of Shambhala, which was said to be hidden somewhere within or beyond the peaks of the Himalayas and was mentioned in various ancient texts, including the Kalachakra Tantra and ancient texts of Tibetan Buddhism. The original location was a mystic temple in Peru, specifically, the temple of the White Lodge, according to Alice Bailey's A Treatise on White Magic (1934), cited by Moore. The lyrics refer to a situation where kindness and cooperation are universal, joy and good fortune abound, and psychological burdens are lifted. The phrases "in the halls of Shambala" and "on the road to Shambala" tie for number of occurrences in the lyrics. The latter phrase perhaps alludes to the idea of Shambala not as a physical place but as a metaphor for the spiritual path one might follow. 
 Three Dog Night Version: The well-known cover version of this song by the rock band Three Dog Night appeared in 1973 on the Billboard Hot 100, on the top 40 from the beginning of June through the end of August, reaching No. 3 in both the pop singles and adult contemporary categories, No. 1 on the Cashbox Magazine charts, and an isolated week at No. 1 on WLS. Headed toward the Hot 100's summit in late July, had it not run out of steam, "Shambala" would have completed an uncommon distinction of a Hot 100 chart-topper for each of four consecutive years for the group. The song, the first one that the group had specifically cut as a single, rather than an album cut, later appeared on Cyan, Three Dog Night's ninth album, and subsequently on numerous anthologies and compilation albums. Although the lyrics of "Shambala" draw on a theme from Eastern mysticism, AllMusic notes the "very strong gospel feeling" of the album Cyan is most evident on this song. This comment may be based on both the instrumentation, including the characteristic gospel keyboard organ sounds that accompany the chorus, which features the repeated, unmistakable dog howls for which the group was long famous, and the bluesy vocals of Cory Wells. Allmusic calls this hit single "one of the group's finest later period records." In the original recording, writer Daniel Moore pronounces the first syllable of the title ("sham") as it would rhyme with "ham." The Three Dog Night and B.W. Stevenson versions pronounce that syllable to rhyme with “mom." 
 
 Three Dog Night is an American rock band formed in 1967, with founding members consisting of vocalists Danny Hutton, Cory Wells, and Chuck Negron. This lineup was soon augmented by Jimmy Greenspoon (keyboards), Joe Schermie (bass), Michael Allsup (guitar), and Floyd Sneed (drums). The band had 21 Billboard Top 40 hits between 1969 and 1975, with three hitting number one. Three Dog Night recorded many songs written by outside songwriters, and they helped to introduce mainstream audiences to writers such as Paul Williams ("An Old Fashioned Love Song") and Hoyt Axton ("Joy to the World”).
 
 Source: Wikipedia

Details & Dimensions

Drawing:Acrylic on Canvas

Original:One-of-a-kind Artwork

Size:24 W x 30 H x 0.2 D in

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I’m (I am?) a self-taught artist, originally from the north suburbs of Chicago (also known as John Hughes' America). Born in 1984, I started painting in 2017 and began to take it somewhat seriously in 2019. I currently reside in rural Montana and live a secluded life with my three dogs - Pebbles (a.k.a. Jaws, Brandy, Fang), Bam Bam (a.k.a. Scrat, Dinki-Di, Trash Panda, Dug), and Mystique (a.k.a. Lady), and five cats - Burglekutt (a.k.a. Ghostmouse Makah), Vohnkar! (a.k.a. Storm Shadow, Grogu), Falkor (a.k.a. Moro, The Mummy's Kryptonite, Wendigo, BFC), Nibbler (a.k.a. Cobblepot), and Meegosh (a.k.a. Lenny). Part of the preface to the 'Complete Works of Emily Dickinson helps sum me up as a person and an artist: "The verses of Emily Dickinson belong emphatically to what Emerson long since called ‘the Poetry of the Portfolio,’ something produced absolutely without the thought of publication, and solely by way of expression of the writer's own mind. Such verse must inevitably forfeit whatever advantage lies in the discipline of public criticism and the enforced conformity to accepted ways. On the other hand, it may often gain something through the habit of freedom and unconventional utterance of daring thoughts. In the case of the present author, there was no choice in the matter; she must write thus, or not at all. A recluse by temperament and habit, literally spending years without settling her foot beyond the doorstep, and many more years during which her walks were strictly limited to her father's grounds, she habitually concealed her mind, like her person, from all but a few friends; and it was with great difficulty that she was persuaded to print during her lifetime, three or four poems. Yet she wrote verses in great abundance; and though brought curiosity indifferent to all conventional rules, had yet a rigorous literary standard of her own, and often altered a word many times to suit an ear which had its own tenacious fastidiousness." -Thomas Wentworth Higginson "Not bad... you say this is your first lesson?" "Yes, but my father was an *art collector*, so…"

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