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Rising sea level, the most catastrophic disaster humankind is facing, is not natural but human-made. Ophelia, a famous victim of manipulating her own lover, look brutally alike. Swallowed up by water all the beautiful things we created is suicide indeed.
Rising sea level, the most catastrophic disaster humankind is facing, is not natural but human-made. Ophelia, a famous victim of manipulating her own lover, look brutally alike. Swallowed up by water all the beautiful things we created is suicide indeed.
Rising sea level, the most catastrophic disaster humankind is facing, is not natural but human-made. Ophelia, a famous victim of manipulating her own lover, look brutally alike. Swallowed up by water all the beautiful things we created is suicide indeed.
Rising sea level, the most catastrophic disaster humankind is facing, is not natural but human-made. Ophelia, a famous victim of manipulating her own lover, look brutally alike. Swallowed up by water all the beautiful things we created is suicide indeed.
Rising sea level, the most catastrophic disaster humankind is facing, is not natural but human-made. Ophelia, a famous victim of manipulating her own lover, look brutally alike. Swallowed up by water all the beautiful things we created is suicide indeed.
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Ophelia Drawing

Haelyn Y

United States

Drawing, Charcoal on Paper

Size: 22.3 W x 14.8 H x 0.5 D in

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Originally listed for $880
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About The Artwork

Rising sea level, the most catastrophic disaster humankind is facing, is not natural but human-made. Ophelia, a famous victim of manipulating her own lover, look brutally alike. Swallowed up by water all the beautiful things we created is suicide indeed.

Details & Dimensions

Drawing:Charcoal on Paper

Original:One-of-a-kind Artwork

Size:22.3 W x 14.8 H x 0.5 D in

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Haelyn explores issues related to memory and feeling through the process of painting. Her work often reflects a deep fascination with memory and interpretation of shapes and forms, representing her own attempt to examine the dichotomy between the present and the past. In her view, memories have their own lives - some remain still while some change because we, who do the recalling, change. So her works are representations of them, expressed wholly and realistically or in fragments and abstractly.

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