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Park Arentsburgh - 20-04-23 Drawing

Corné Akkers

Netherlands

Drawing, Graphite on Paper

Size: 8.3 W x 5.8 H x 0 D in

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About The Artwork

The place actually is the very spot where Forum Hadriani once stood. Not that you could notice nowadays. All the remnants are gone now. Only some plaques to explain where and how the old roman city was situated. The park itself is comparatively small, even feels a bit snug. However, there are some old trees to be found and a little pound. Hence some water reflections, catching leafy structures in the water. Enough to draw wonderful artistic motifs from. And so I did but that was only last year. It’s still freezing cold, especially today. The north wind made me put on gloves again and trees are not fully in leaf yet. So a draw from my hugh pile of reference pictures this time as well. But I am patient. General Winter soon will disappear. Lucky for me, too bad for Putin. In-Betweenie Back to my drawing. This one has become a bit of an in-betweenie. That means, I was drawing this, completing my oil ‘Melina Noëlle – 18-04-23’. Painting sucked up most of my attention last week but I have some spare time left occasionally. So I sketched this one bit by bit waiting for my students at Brugman Art. I finalized it today doing some bits and bobs, especially in the leaves. Quite hard to differentiate in the leaves in the back and to get some contrast in the front. I started out hatching in my peculiar diagonal stroked style. Soon I found out I had to cross-hatch in order to make it more interesting. Perhaps you will agree? Graphite pencil drawing (Sakura 0.5 mm, 4B) on Winsor & Newton Bristol board paper (21 x 14.8 x 0.1 cm – A5 format) Artist: Corné Akkers

Details & Dimensions

Drawing:Graphite on Paper

Original:One-of-a-kind Artwork

Size:8.3 W x 5.8 H x 0 D in

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1969, born in Nijmegen. My work can be seen in many countries all over the world. Corné employs a variety of styles that all have one thing in common: the ever search for the light on phenomena and all the shadows and light planes they block in. His favorites in doing so are oil paint, dry pastel and graphite pencil. He states that it’s not the form or the theme that counts but the way planes of certain tonal quality vary and block in the lights. Colours are relatively unimportant and can take on whatever scheme. It’s the tonal quality that is ever present in his work, creating the illusion of depth and mass on a flat 2d-plane. Corné combines figurative work with the search for abstraction because neither in extremo can provide the desired art statement the public expects from an artist. Besides all that, exaggeration and deviation is the standard and results in a typical use of a strong colour scheme and a hugh tonal bandwith, in order to create art that, when the canvas or paper would be torn into pieces, in essence still would be recognizable.

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