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Paysages Browniens du 17 Aout 98 - n35 Drawing

Pascale Baud

France

Drawing, Graphite on Paper

Size: 5.1 W x 6.3 H x 0 D in

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Série commencée en 1993 (avec 31 dessins) et régulièrement reprise en 94 (32 dessins) puis en 98 et qui sera reprise à nouveau jusqu'à épuisement du "stock" de ces feuillets issus du PB ("Petit Bouquin" mon premier livre/ journal d'artiste. Pourquoi "Paysages Browniens". J'avais un texte bien "carré" écrit à cette époque mais ce texte a disparu depuis. Juste une définition: "Mouvement brownien - Le mouvement brownien, ou processus de Wiener, est une description mathématique du mouvement aléatoire d'une « grosse » particule immergée dans un fluide et qui n'est soumise à aucune autre interaction que des chocs avec les « petites » molécules du fluide environnant. Il en résulte un mouvement très irrégulier de la grosse particule, qui a été décrit pour la première fois en 1827 par le botaniste Robert Brown en observant des mouvements de particules à l'intérieur de grains de pollen de Clarkia pulchella (une espèce de fleur sauvage nord-américaine), puis de diverses autres plantes. La description physique la plus élémentaire du phénomène est la suivante : entre deux chocs, la grosse particule se déplace en ligne droite avec une vitesse constante ; la grosse particule est accélérée lorsqu'elle rencontre une molécule de fluide ou une paroi. Ce mouvement permet de décrire avec succès le comportement thermodynamique des gaz (théorie cinétique des gaz), ainsi que le phénomène de diffusion. Il est aussi très utilisé dans des modèles de mathématiques financières." - -- Wikipedia "Brownian motion or pedesis (from Ancient Greek: πήδησις /pέːdεːsis/ "leaping") is the random motion of particles suspended in a fluid (a liquid or a gas) resulting from their collision with the fast-moving atoms or molecules in the gas or liquid. This transport phenomenon is named after the botanist Robert Brown. In 1827, while looking through a microscope at particles trapped in cavities inside pollen grains in water, he noted that the particles moved through the water; but he was not able to determine the mechanisms that caused this motion. Atoms and molecules had long been theorized as the constituents of matter, and Albert Einstein published a paper in 1905 that explained in precise detail how the motion that Brown had observed was a result of the pollen being moved by individual water molecules. This explanation of Brownian motion served as convincing evidence that atoms and molecules exist, and was further verified experimentally by Jean Perrin in 1908. Perrin was awarded the Nobel Prize in Physics in 1926 "for his work on the discontinuous structure of matter" (Einstein had received the award five years earlier "for his services to theoretical physics" with specific citation of different research). The direction of the force of atomic bombardment is constantly changing, and at different times the particle is hit more on one side than another, leading to the seemingly random nature of the motion. Brownian motion is among the simplest of the continuous-time stochastic (or probabilistic) processes, and it is a limit of both simpler and more complicated stochastic processes (see random walk and Donsker's theorem). This universality is closely related to the universality of the normal distribution. In both cases, it is often mathematical convenience, rather than the accuracy of the models, that motivates their use." Wikipedia

Details & Dimensions

Drawing:Graphite on Paper

Original:One-of-a-kind Artwork

Size:5.1 W x 6.3 H x 0 D in

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For many years I worked without trying to exhibit. There were nevertheless small and "big" exhibitions. Like being selected with a group of friends for a parallel exhibition at the Dokumenta 8 in Kassel in 1987: International exhibition "Gruppenkunstwerk" (collective art work). Then long years with my Daily Geologies (work realized over 12 years on a day-to-day basis), unexhibitable, given the concept itself = each day the "layer" or deposit covers that of the day before - in the end the paper and paint form a block of several dozen centimeters or more. I continued to work, to experiment, to fill in notebooks as if I were filling in a perpetual diary, to wander from one field to another: photography, writing, then to the design of artists' books (where I learned a little about bookbinding). Since a few years with Internet I show my work. Virtual encounters that have led to real exhibitions (UK Polarama), in Australia and also in France. ----------------------------------------- How to define my work? Color? Black & White? Materials? Or simply graphic work evoking sometimes engraving? A game of back and forth between all that. A bipolarity of expression sometimes confusing that can unfold in long spirals of writing to burst elsewhere in another form as the book-objects or even ... So to simplify = I keep 3 words: Writing, Spiral, Weft. ------------------------------------------------ I draw with my eyes closed what I cannot see with my eyes open. PB ------------------------------------------------ ------------------------------------------------ Pendant de longues années j'ai travaillé sans chercher à exposer. Il y a eu malgré tout des petites et "grandes" expos. Comme de se trouver sélectionnée avec un groupe d'amis pour une exposition en parallèle à la Dokumenta 8 à Kassel en 1987 : Exposition internationale "Gruppenkunstwerk" (Oeuvre d'art collective). Puis de longues années avec mes Géologies Quotidiennes (travail réalisé sur 12 ans au jour le jour) in-exposables, étant donné le concept lui-même = chaque jour la "couche" ou le dépôt recouvre celui de la veille - au final le papier et la peinture forment un bloc de plusieurs dizaines de centimètre voire plus. Je continuais à travailler, à expérimenter, à remplir des carnets comme si je remplissais un journal intime perpétuel, à me promener d'un domaine à l'autre: photographie, écriture, puis à la conception de livres d'artistes (où j'ai appris un peu la reliure).

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