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Loose and expressive
Loose and expressive
Early formation marks
Adding edge detail and structure

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10

View In My Room

Reflections of White Cliffs Drawing

Neil Dixon

United Kingdom

Drawing, Graphite on Paper

Size: 109 W x 51 H x 3 D cm

Ships in a Box

SOLD
Originally listed for S$1,534

281 Views

10

ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

* Winner of "The Drawing Award" at the Society of Graphic Fine Arts' annual exhibition, DRAW 18, London, October 2018. The distinctive white cliffs of the far south easter coastline of England are a natural and common subject for artists. It it not only the cliffs themselves that hold fascination, ...

Year Created:

2017

Subject:
Mediums:

Drawing, Graphite on Paper

Rarity:

One-of-a-kind Artwork

Size:

109 W x 51 H x 3 D cm

Ready to Hang:

Not Applicable

Frame:

White

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

14-day return policy. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

United Kingdom.

Customs:

Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.

Need more information?

Need more information?

I try to make the unnoticed notice-worthy. Inspiration comes from fleeting moments, glimpses of objects hidden in plain sight: an experience, a randomly generated narrative, a shattered piece of wood, the angle of a building, the shape of a wave. The world bombards my senses with more inspiration than I can ever hope to express. Returning to my art after two decades, I have learned the strength of variety and versatility, whilst retaining craft. How something is created – its process and its craft – is as vital to the finished piece as its motivation and subject. Drawing remains my primary focus. Its apparent limitations offer a purity and intimacy that brings artist and viewer closer in a way a painting rarely can. My abstract paintings are an extension of my drawing, incorporating many of the base techniques of mark-making, form, and tone, but with a more expressive and open focus. Continuing themes include solitude, isolation, and exclusion, particularly within - or reflecting the escape from - restless, bustling, cacophonous environments.

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