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"Ruin" - Drawing

Peter Illig

United States

Drawing, Charcoal on Paper

Size: 147.3 W x 106.7 H x 0.3 D cm

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$1,060USD

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A ruined building, but was the wreckage caused by nature or human action? The arabic script on the side of a nearby truck states "guns or butter". This drawing was selected for, and later reviewed in, a major exhibition called "Drawing Never Dies".

Year Created:

2016

Subject:
Mediums:

Drawing, Charcoal on Paper

Rarity:

One-of-a-kind Artwork

Size:

147.3 W x 106.7 H x 0.3 D cm

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships Rolled in a Tube

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

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14-day return policy. Visit our help section for more information.

Handling:

Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

United States.

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Peter ILLIG is known for his complex paintings that walk a line between post-modern semiotics and traditional illustration. Involved in Denver's art scene, producing thought-provoking oil paintings composed of layered images mixing color with black-and-white. Dubbed by the press as a "neo-pop surrealist," and "one of Denver's best artists." Peter Illig's works are analogies for human emotions and experiences, American psychological landscapes reflecting how we think of several things at once. He layers images borrowed from film, TV, cyberspace, and his own experience like a coded language of symbols to express his ideas and feelings. This search through the stuff of the world, matter and flesh, is inherently erotic. And so is the act of drawing and painting. These meanings and objects intersect and overlap in life, and in Illig's art. Where does one object end and another begin? Where does one idea end and another begin to form? Can theory become visual? These and other questions are presented in Illig's work.

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