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"Südsee" is my topical project. I began with the series in October, 2016. Original was the idea to have simply a good time in an exotic paradise, thus in the kind of Paul Gauguin, but without travelling. I began with simple structures, nets, hair, stripes, circles, waves, clouds. Mostly it positioned itself only in the painting process out that a yellow circle looks like a pineapple, then it was just a pineapple. Are there pineapples in Tahiti? No idea. It simply went around of having warm feet.
"Südsee" is my topical project. I began with the series in October, 2016. Original was the idea to have simply a good time in an exotic paradise, thus in the kind of Paul Gauguin, but without travelling. I began with simple structures, nets, hair, stripes, circles, waves, clouds. Mostly it positioned itself only in the painting process out that a yellow circle looks like a pineapple, then it was just a pineapple. Are there pineapples in Tahiti? No idea. It simply went around of having warm feet.
"Südsee" is my topical project. I began with the series in October, 2016. Original was the idea to have simply a good time in an exotic paradise, thus in the kind of Paul Gauguin, but without travelling. I began with simple structures, nets, hair, stripes, circles, waves, clouds. Mostly it positioned itself only in the painting process out that a yellow circle looks like a pineapple, then it was just a pineapple. Are there pineapples in Tahiti? No idea. It simply went around of having warm feet.
"Südsee" is my topical project. I began with the series in October, 2016. Original was the idea to have simply a good time in an exotic paradise, thus in the kind of Paul Gauguin, but without travelling. I began with simple structures, nets, hair, stripes, circles, waves, clouds. Mostly it positioned itself only in the painting process out that a yellow circle looks like a pineapple, then it was just a pineapple. Are there pineapples in Tahiti? No idea. It simply went around of having warm feet.
"Südsee" is my topical project. I began with the series in October, 2016. Original was the idea to have simply a good time in an exotic paradise, thus in the kind of Paul Gauguin, but without travelling. I began with simple structures, nets, hair, stripes, circles, waves, clouds. Mostly it positioned itself only in the painting process out that a yellow circle looks like a pineapple, then it was just a pineapple. Are there pineapples in Tahiti? No idea. It simply went around of having warm feet.

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View In My Room

Südsee #29 Drawing

Britta Eriskat

Germany

Drawing, Ink on Paper

Size: 27.6 W x 39.4 H x 0.1 D in

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Originally listed for $720

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ABOUT THE ARTWORK

"Südsee" is my topical project. I began with the series in October, 2016. Original was the idea to have simply a good time in an exotic paradise, thus in the kind of Paul Gauguin, but without travelling. I began with simple structures, nets, hair, stripes, circles, waves, clouds. Mostly it positioned itself only in the painting process out that a yellow circle looks like a pineapple, then it was just a pineapple. Are there pineapples in Tahiti? No idea. It simply went around of having warm feet.

DETAILS AND DIMENSIONS
Drawing:

Ink on Paper

Original:

One-of-a-kind Artwork

Size:

27.6 W x 39.4 H x 0.1 D in

SHIPPING AND RETURNS
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Catrin Morschek M.A., about the series "Foldings of bronze", 2020: "The work of the artist Britta Eriskat is multi-layered and complex and cannot be categorized. It is often visual impressions, such as the view from her window, chance encounters or imagined scenes, which the artist translates into her own visual language through drawing or design. This results in works that encode the visually perceived objects or scenes, abstracting possible recognizable figurations. The pictorial invention often develops as the result of a prolonged thought process that analyzes the most diverse facets of the subject and then finds implementation in serial form. The format of the series gives the artist the freedom to illuminate a theme from many sides, to dissect and to integrate the individual parts, each in a new incoherent context. The choice of painting material also plays a not insignificant role, since it is used consistently within a series. Although Eriskat experiments and works with a wide range of materials, such as colored pencils and black or colored ink mostly on paper, but also with paper, clay and bronze in the sculptural field, drawing is always recognizable as the basis of her artistic work. All works oscillate equally between figuration and abstraction. In this way, a very unusual oeuvre of autonomous pictorial works, sculptural objects and installations has emerged."

Artist Recognition
Artist featured in a collection

Artist featured by Saatchi Art in a collection

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