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Self-portraits reproductions is a materialization of notion, evidence of experienced reality, self-observation, self-love and self-hatred. I have started to materialize my self-perceptions, to study my portrait, body, set of lines, surface, soaked of waterink. My drawings were not just real images of my portrait and figure but they become a psychological study of static face/figure. Each new drawing was my other Self. During this process of self-creation, I have started from my own being, my face, my state of mind, but always with an invisible and automatic wish to create portraits of all people, because we all experience the same or similar state of mind. Static form includes inner concentration and sense of self-perception. The man is viewed as an individual who has feelings and thoughts. The terms of awareness and experience, as a phenomenological terms, is emerging as origin of subjective expression. water ink on jute canvas
Self-portraits reproductions is a materialization of notion, evidence of experienced reality, self-observation, self-love and self-hatred. I have started to materialize my self-perceptions, to study my portrait, body, set of lines, surface, soaked of waterink. My drawings were not just real images of my portrait and figure but they become a psychological study of static face/figure. Each new drawing was my other Self. During this process of self-creation, I have started from my own being, my face, my state of mind, but always with an invisible and automatic wish to create portraits of all people, because we all experience the same or similar state of mind. Static form includes inner concentration and sense of self-perception. The man is viewed as an individual who has feelings and thoughts. The terms of awareness and experience, as a phenomenological terms, is emerging as origin of subjective expression. water ink on jute canvas
Self-portraits reproductions is a materialization of notion, evidence of experienced reality, self-observation, self-love and self-hatred. I have started to materialize my self-perceptions, to study my portrait, body, set of lines, surface, soaked of waterink. My drawings were not just real images of my portrait and figure but they become a psychological study of static face/figure. Each new drawing was my other Self. During this process of self-creation, I have started from my own being, my face, my state of mind, but always with an invisible and automatic wish to create portraits of all people, because we all experience the same or similar state of mind. Static form includes inner concentration and sense of self-perception. The man is viewed as an individual who has feelings and thoughts. The terms of awareness and experience, as a phenomenological terms, is emerging as origin of subjective expression. water ink on jute canvas
Self-portraits reproductions is a materialization of notion, evidence of experienced reality, self-observation, self-love and self-hatred. I have started to materialize my self-perceptions, to study my portrait, body, set of lines, surface, soaked of waterink. My drawings were not just real images of my portrait and figure but they become a psychological study of static face/figure. Each new drawing was my other Self. During this process of self-creation, I have started from my own being, my face, my state of mind, but always with an invisible and automatic wish to create portraits of all people, because we all experience the same or similar state of mind. Static form includes inner concentration and sense of self-perception. The man is viewed as an individual who has feelings and thoughts. The terms of awareness and experience, as a phenomenological terms, is emerging as origin of subjective expression. water ink on jute canvas
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series Self conception Drawing

Milijana Istijanovic

Montenegro

Drawing, Ink on Canvas

Size: 15 W x 23.6 H x 0.4 D in

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$580

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About The Artwork

Self-portraits reproductions is a materialization of notion, evidence of experienced reality, self-observation, self-love and self-hatred. I have started to materialize my self-perceptions, to study my portrait, body, set of lines, surface, soaked of waterink. My drawings were not just real images of my portrait and figure but they become a psychological study of static face/figure. Each new drawing was my other Self. During this process of self-creation, I have started from my own being, my face, my state of mind, but always with an invisible and automatic wish to create portraits of all people, because we all experience the same or similar state of mind. Static form includes inner concentration and sense of self-perception. The man is viewed as an individual who has feelings and thoughts. The terms of awareness and experience, as a phenomenological terms, is emerging as origin of subjective expression. water ink on jute canvas

Details & Dimensions

Drawing:Ink on Canvas

Original:One-of-a-kind Artwork

Size:15 W x 23.6 H x 0.4 D in

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In my art practice, I deal with the themes moving in the area of identity, gender, body, space and time. Individual exhibitions are grouped around specific themes and concepts, with the use of different mediums, materials and languages. The subjects of my research are personal and universal issues: body and the corporeal, transience and belonging, the phenomenon of one’s own experience and perception of the outside and the inner world. I use space as a medium through which I express my own poetics based upon ordinary objects for everyday use and imaginary situations through the concepts of belonging and transience.

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