495 Views
29
View In My Room
Drawing, Charcoal on Paper
Size: 18 W x 24 H x 0.1 D in
Ships in a Tube
495 Views
29
Artist featured in a collection
This piece of Modern drawing is very inspired by " Me Too " Movement.... This is an expressional and Emotional reaction of a woman from Middle East , From a painter to all women around the world . To say me too ladies . I made this series after I was commissioned by a lady from Washington DC. She is a Women's right activist and she comissioned 12 artistic images . I made seven hundred sketches and she ended up with 20 . I have the right of sharing and selling the rest of the sketches and I m honored to say that those 20 images would be hang on her house which a lot of political women get together to empower women and put effort for " Equality " . This piece is a great match with either/or She #2 and #3 .
2018
Charcoal on Paper
One-of-a-kind Artwork
18 W x 24 H x 0.1 D in
Not Framed
Not applicable
Ships Rolled in a Tube
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Human body and its movements are the most intricate, sophisticated structures our eyes are exposed to. The fluidness and continuity of human movements along with the shapes the body takes during these movements, create a picture in our eyes full of smooth curves musically related to each other. This is what I try to capture in my work blending the body and its motions with music I hear and the rapture I feel in my mind . "Family Dreams" Project's statement : Today’s society is a conglomeration of children of yesterday. The children who witness the interactions and relations between their parents and other family members. The child’s memory is full of colors juxtaposing patterns shaped by the surrounding characters and deformed by their personalities. Reminiscing those memories bring tears to her eyes instead of smiles to her face. She finds her soul crushing under the pressure of pain, watching her mother’s detestable and odious treatment of her father. She sees her father desperately trying to bond the family together and to prevent its disintegration while the mother is ripping it apart with her unbearable sorrow, extreme anxieties, and hate. The mother’s shape is warped and distorted. The father is a collection of soft curves that do not belong to their rightful place and seem scattered and disoriented. The rest of the family fills gaps of the palette wherever the mother leaves them spaces to be and to breathe. And mother’s agitations force the children to swarm to any gaps they find in the palette where they can find some peace. Today, these children have grown to be adults. They see themselves as the harvest of what was sown years ago by those who touched their life. Recognizing the edicts of color and form, they try to portray on every palette, the story of a day of life, more sad than happy, long gone but still fresh in their mid and soul.
Artist featured by Saatchi Art in a collection
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