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Netherlands
Drawing, Graphite on Paper
Size: 11.7 W x 8.3 H x 0 D in
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Solarized Geometry – 10-09-20 Solarized Geometry After my drawing Roundism – 29-08-20 it was time to delve into this type of solarized geometry. The latter is about properties of space that are related with distance, shape, size, and relative position of figures. The square, triangle and circle in the upper left corner are a reminder that whatever complex form we might see it is build up from simple geometrical sub-forms. As such, this is an old principle every art student at art school before the World War II was trained in, when students actually still learned something of value. Ambiguous Image? Through the process of solarization I found these abstract forms derived from the female body that I could use to abstract, but only a little bit, just to have the spectator interpret them both at the same time. Moreover, I thought it was fun to see if the principle of an ambiguous image works the same way with geometry and body shapes. Further Abstraction Perhaps I can take the abstraction into solarized geometrical forms even further and this might bring me something ‘post-roundism’ because I think the style feels a little exhausted for the time being. Perhaps I will work out some oil paintings based after these roundism drawings. Time to move on. Got any ideas? Graphite pencil drawing (Sakura 0.5 mm, Pentel 4B) on Winsor & Newton paper (21 x 29.7 x 0.1 cm) - A4 format) Artist: Corné Akkers
Drawing:Graphite on Paper
Original:One-of-a-kind Artwork
Size:11.7 W x 8.3 H x 0 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Netherlands.
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Netherlands
1969, born in Nijmegen. My work can be seen in many countries all over the world. Corné employs a variety of styles that all have one thing in common: the ever search for the light on phenomena and all the shadows and light planes they block in. His favorites in doing so are oil paint, dry pastel and graphite pencil. He states that it’s not the form or the theme that counts but the way planes of certain tonal quality vary and block in the lights. Colours are relatively unimportant and can take on whatever scheme. It’s the tonal quality that is ever present in his work, creating the illusion of depth and mass on a flat 2d-plane. Corné combines figurative work with the search for abstraction because neither in extremo can provide the desired art statement the public expects from an artist. Besides all that, exaggeration and deviation is the standard and results in a typical use of a strong colour scheme and a hugh tonal bandwith, in order to create art that, when the canvas or paper would be torn into pieces, in essence still would be recognizable.
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