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Netherlands
Drawing, Graphite on Paper
Size: 11.7 W x 8.3 H x 0 D in
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Blue Velvet Reprise This graphite pencil drawing ‘Solarized Roundism – 24-02-23’ stems from the latest session with my regular model. Solarization is back on the menu and I simply loved to employ this technique again. So I happened to visit a local fabric store, here in The Hague. There I saw this smashing piece of blue velvet. It is almost identical to the one I used for my oil painting under the same name. It’s considerably bigger in size though. That’s what I wanted: a cloth way bigger than the one I had, almost like sheets. There are a couple of reasons for this. For years I undressed women and depicted them as such. Now I am into fabrics these days, so I wrap them in cloths or lay them down on. Another reason, especially regarding the blue quality: it sets off the skin hue of my model quite nicely. Solarize It Solarisation as theme I used a couple of times before. However, I like to vary as I explained in the past. After Slava Ukraini – 15-02-23 and neo deco I wanted to do something else. In fact, I was curious how my Faber Castell pitt graphite matt pencil would do using this theme. It’s all about partial inversion of tonal values and hatch the paper up to a complete darkness. See how this would contast the high lighted areas. I must say I am perfectly astouned. It was much easier to get these tonal extremities than in my last solarized graphite project of last year. Hurray for Faber Castell. I’m a big fan of those pencils now. Graphite pencil (Faber Castell Pitt Graphite Matt pencil 14B) drawing Talens Bristol paper (21 x 29.7 x 0.1 cm) Artist: Corné Akkers
Drawing:Graphite on Paper
Original:One-of-a-kind Artwork
Size:11.7 W x 8.3 H x 0 D in
Frame:Not Framed
Ready to Hang:No
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Netherlands.
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Netherlands
1969, born in Nijmegen. My work can be seen in many countries all over the world. Corné employs a variety of styles that all have one thing in common: the ever search for the light on phenomena and all the shadows and light planes they block in. His favorites in doing so are oil paint, dry pastel and graphite pencil. He states that it’s not the form or the theme that counts but the way planes of certain tonal quality vary and block in the lights. Colours are relatively unimportant and can take on whatever scheme. It’s the tonal quality that is ever present in his work, creating the illusion of depth and mass on a flat 2d-plane. Corné combines figurative work with the search for abstraction because neither in extremo can provide the desired art statement the public expects from an artist. Besides all that, exaggeration and deviation is the standard and results in a typical use of a strong colour scheme and a hugh tonal bandwith, in order to create art that, when the canvas or paper would be torn into pieces, in essence still would be recognizable.
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