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"Study for Cairn 2" Drawing

→ Sara Dudman, United Kingdom

Drawing, Charcoal on Paper

33 W x 46.5 H in

Framed

$1,496

→ Shipping Included

→ 14-day free returns

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‘Study for Cairn 2’ is the product of a deep immersion in the wild far westerly Cornish coastal environment. This intricately drawn work was created during an artist research residency at Brison’s Veor on Cape Cornwall. Sara took daily pilgrimages on foot to this and other cairns, constructed as be...

Year Created:

2014

Subject:

Mediums:

Drawing, Charcoal on Paper

Rarity:

One-of-a-kind Artwork

Size:

33 W x 46.5 H x 2 D in

Ready to Hang:

Not Applicable

Frame:

White

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

United Kingdom.

Customs:

Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.

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Contact us.

Need more information?

Contact us.
Sara Dudman

About the Artist

Sara Dudman

United Kingdom

I am an artist with an affinity for wilderness, a concern for environment and a need for community. I exhibit extensively, lead collaborative, participatory and development projects and was elected an academician at the Royal West of England Academy of Art in 2016.

A persistent curiosity about physical and conceptual relationships with the environment drives my work. Exploring the physical world is central to my practice, examining notions of ‘permanence and impermanence’ and ‘substance and essence’, including human and animal relationships with the environment.
I absorb my subject through direct experiences and researched information, often using low-tech video footage as the source and starting point for reprocessing the subject through drawing and painting.

From 2013-2016 I jointly undertook a collaborative project called Flock Together, working with fellow academician Debbie Locke RWA to research and create a body of works which interrogate and reinterpret sheep farming activity in the Blackdown Hills AONB in the South West of England.

In contrast to the over-saturated, heightened, screen-based reality through which we increasingly experience our environment, my paintings and drawings reclaim the world as a personal encounter of depth and complexity. Painting for me is a necessarily ponderous activity. My gestures and marks speak of authorship and authenticity. My works present a re-enchantment with the world.

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