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About The Artwork
"The Agony of Linear Reflexes" portrays a captivating exploration of reality and perception in the contemporary world. This charcoal and pencil drawing, delicately colored with watercolor, invites viewers into a realm where the boundaries between perception and reality blur. In the artwork, we encounter a woman with three reflections of her face, each subtly distorted by a series of lines that suggest a disjointed or unfocused image. This portrayal prompts contemplation on the nature of reality in the context of our linear understanding of time. As we navigate the complexities of modern existence, the concept of linear time often shapes our understanding of what is real and tangible. However, "The Agony of Linear Reflexes" challenges this notion, inviting us to question the stability of our perceptions and the reliability of our senses. Through its intricate composition and nuanced execution, the artwork serves as a poignant reminder that reality is not always as straightforward as it seems. It encourages viewers to embrace the uncertainty and fluidity of perception, urging us to consider how our perception of reality is influenced by the passage of time and the limitations of our linear understanding.
Details & Dimensions
Drawing:Pencil on Paper
Original:One-of-a-kind Artwork
Size:15.6 W x 10.8 H x 0 D in
Frame:Not Framed
Ready to Hang:No
Packaging:Ships Rolled in a Tube
Shipping & Returns
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Mexico.
Customs:Shipments from Mexico may experience delays due to country's regulations for exporting valuable artworks.
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Mexico
Zoe Lunar radiates and works in Mexico City, is a graduate of the national school of painting, sculpture and engraving "La Esmeralda". He is an artist in constant formation, who seeks plastic, visual and sound experimentation. His work feeds on time as matter and how it helps to interpret reality, through temporal representations, of spaces that converge in their social context and how this influences the formation and interpretation of our different contemporary realities; making use of the qualities of painting and drawing to make deformations in a perceptive portrait of different moments, and personal times in a single interpretation. He is currently nurturing his plastic work especially in painting and drawing, giving him new outlets like AR in some of his new works and occasionally making music and video.
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