VIEW IN MY ROOM
Indonesia
Drawing, Pastel on Paper
Size: 13 W x 18 H x 0.1 D in
Ships in a Crate
As a huge fans of marvel superheroes, I combine three superheroes characters as a collective artwork. Girl Power represents female superheroes. Meanwhile, the reason why I portray Ant-Man in this collective artwork because I find this character very unique as this is one of my most favourite Marvel heroes. Subsequently, Spiderman is..... simply a Spiderman. You tell me, the protagonist.
Multi-paneled Drawing:Pastel on Paper
Original:One-of-a-kind Artwork
Size:13 W x 18 H x 0.1 D in
Number of Panels:2
Frame:Brown
Ready to Hang:Not applicable
Packaging:Ships in a Crate
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Indonesia.
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Indonesia
Naufal Abshar is a promising young Indonesian artist, born in 1993 in Bandung. Trained at Lasalle College of the Arts and Goldsmith University of London, Naufal has participated in various group exhibitions in places as diverse as Singapore, Jogja, Venice and Lithuania. In 2013, he won the first prize in the Indonesia Arts Festival live painting competition. With his “HAHA” series, Naufal explores the roots and boundaries of humour and laughter. As an artist, Naufal is a student perhaps unconscious of the philosopher Henri Bergson who researched the meaning of laughter and observed its social function. “My work explores the amalgamation of the concepts of laughter and humour, which are universal to human culture. HAHA represents laughter in various activities, which are: laughing because we won something, laughing because we mock someone, laughing induced by craziness or it can be a rejection of fears. So in my work, I try to twist the role of laughter or humour into an activity of repetition that constructs social criticism. The prolongation of form on political humour can be found in most of my works, the use of satiric laughter illustrates how I use laughter as an activity that can imply criticism.”
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