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"The old man or portrait of Carmelo" Drawing

Oliver Plehn, Spain

Drawing, Charcoal on Paper

31.5 W x 39.4 H in

This artwork is not for sale.

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This is a life-drawing of my father-in-law. The human face and body is always in the center of my work. The expression of feelings and the sharing of my experience of the real using the representation of the human face and figure are key for me. Charcoal on paper is a medium which allows a very dire...

Year Created:

2007

Subject:
Mediums:

Drawing, Charcoal on Paper

Rarity:

One-of-a-kind Artwork

Size:

31.5 W x 39.4 H x 0.1 D in

Ready to Hang:

No

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Outdoor Safe:

No

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

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Free returns within 14 days of delivery. Visit our help section for more information.

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Artist Statement As a chemist and artist, I am especially interested in what constitutes reality. Modern physics teaches us that absolute reality does not exist. An observer cannot explore reality from the outside, she has to get involved. Reality is relational, subjective, and the observer is an essential part of it. This is the conceptional background of all of my works. I aim to make deep contact with reality through an artistic approach that is direct, unfiltered, intense and unpremeditated. I do not want to paint what I know; I want to know what I paint. I do not intend to transmit feelings as an expressionist artist would do, but to provide a catalyst for the viewer to engage in a conversation. Life is not only mental and it is not only emotional, which is what led me to find an approach of fusion that I call “Catalysism”. We need all our senses and mental power to explore reality, but these are different in all human beings. So must be their conclusions and their perception of reality. This openness also explains the variety of reactions to my work. People often tell me that they feel attracted and disturbed at the same time. They conceive my work as very personal and extremely honest. But yet it is full of references to Art history, from cave painting to conceptional art.

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India Balyejusa, Senior Curator