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Drawing, Ink on Wood
Size: 9 W x 12 H x 0.1 D in
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Indian ink on Scratchbord hardboard / 305 x 229mm This series, entitled Native British Trees, proposes a bleak comment of our aggressive present and a probable near future; a stark warning to how our actions devastate the earth, or how Britain’s interference abroad can impact our nation for years to come. The outlines of mature Oaks, Limes, Willows or Elms bear a remarkable resemblance to that of an artillery explosion, detonated missile or military airstrike, which in turn, have been manufactured on (or originated from) our soil. These are studies are wonderfully subtle Scratchbord™ drawings of images from news reports, merged and manipulated to look like outlines of trees. Scratchbord™ is an an eco-friendly, acid-free and archival clay and India ink coated hardboard panel for scratchboard artwork. Artwork is varnished and fixed allowing the scratchboard to be framed without glass (if required).
2018
Ink on Wood
One-of-a-kind Artwork
9 W x 12 H x 0.1 D in
Not Framed
Not applicable
Ships in a Box
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United Kingdom.
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United Kingdom
Tristram Aver is an artist and curator currently based in Nottingham, UK. Aver has been involved in activities ranging from album/single cover artwork for The Cooper Temple Clause breakthrough album 'Kick Up The Fire and Let The Flames Break Loose' (2003), to producing the visuals for BBC projects. Aver has been Chairman and studio holder at OpenHand Open Space Gallery (Reading, Berks; previous studio holders have included Cornelia Parker, Paula Rego and Paul Bonaventura) and he is currently a Curator at Nottingham Castle Museum & Art Gallery having worked on many high-profile contemporary and visual arts projects with artists, collections, curators and institutions worldwide. His work is also in significant private collections including the Bayswater Media Group, London, and The Stremmel Gallery Collection, Reno, Nevada.
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