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Untitled (twins 2018) Drawing

Hanna Ten Doornkaat

United Kingdom

Drawing, Graphite on Wood

Size: 7.9 W x 3.9 H x 0.8 D in

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406 Views
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Artist Recognition

link - Featured in the Catalog

Featured in the Catalog

link - Featured in Inside The Studio

Featured in Inside The Studio

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Showed at the The Other Art Fair

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About The Artwork

Inspired by Sol LeWitt’s conceptual approach to drawing I started these small works as part of an ongoing series of singles, twins and triplets. Each individual piece measures 10cmx10cmx2cm. Some of these can stand alone but others work betters pairs or triptychs. I enjoy making them as they offer the potential of growing into a larger wall installation and essentially then becomes a site specific work. I also like the idea of an artwork changing its visual appearance by simply rearranging or how it is combined which is a reference to a world in constant flux.

Details & Dimensions

Multi-paneled Drawing:Graphite on Wood

Original:One-of-a-kind Artwork

Size:7.9 W x 3.9 H x 0.8 D in

Number of Panels:2

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

born in Heidelberg, Germany Living and working in UK My intricate drawings explore mark-making as compound memory. Constructed from layer upon layer of rectilinear geometries, obsessively serialised marks and lines, my work incorporates process as signifier of human response to both the experiential, as defined by materials and memory, and the mind’s abstract construction of form and meaning. These are the words used by art historian Martin Kerrison who wrote about my work. Simply said I am interested in serial mark making and memory. More recently my work has been described as follows: "Between passivity and action. Hanna’s linear proposals not to primal marks. They are straightforward and not at all, as they project and deny a complexity of the art making process. Paint and graphite are adhered at different stages then often partially removed. The aesthetic derived from their removal is not entirely in the artist’s control. The result is the reveal of a process of assertion and denial.” extract from an essay by Jillian Knipe, artist and writer

Artist Recognition

Featured in the Catalog

Featured in Saatchi Art's printed catalog, sent to thousands of art collectors

Featured in Inside The Studio

Featured in Saatchi Art's curated series, Inside The Studio

Showed at the The Other Art Fair

Handpicked to show at The Other Art Fair presented by Saatchi Art in London, London

Artist featured in a collection

Artist featured by Saatchi Art in a collection

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