VIEW IN MY ROOM
Poland
Drawing, Charcoal on Paper
Size: 236 W x 79 H x 0.1 D in
Ships in a Tube
This is a representation of presence through study of light. Trying to capture how we are sometimes unable to penetrate the moment. The sense of slowly misplaced presence. The drawing is a very large peace of paper, so unless it's glued to a wall by tape it requires strong and stiff framing. The paper is quite thick and it doesn't tear very easily. It can be kept rolled in a tube and transported safely this way.
Drawing:Charcoal on Paper
Original:One-of-a-kind Artwork
Size:236 W x 79 H x 0.1 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships Rolled in a Tube
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Poland.
Customs:Shipments from Poland may experience delays due to country's regulations for exporting valuable artworks.
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The sense of being present in the reality is an issue, that disturbes me a lot. There are so many interpretations and ways to experience "being". If there is "myself" at all, then how much of "myself" is needed to be part of surroundings? And then following this logic, how much of "myself" is needed to make a picture? I used to try to draw forms, which could never exist in our dimension. A way of thinking similar to making up worlds constructed of nothing we experience in the world we live in. An entirely new concept. An alternative for space, light, everything. No physics, no languages or ways to speak, no sound, no volume, no living creatures, no space or colors, no travelling light. This process literally used to make me hurt. When I think of something I simultaneously imagine circumstances that allow this ''something'' to exist, but how can I do that thinking of an object, which doesn't have shape, can't have it, can't exist, can't have weight and can't be made of atoms, can't even be an object in the first place. Must have nothing to do with our world and it's laws. Going through those struggles I kinda accepted the impossibility of creating such a new environment, based on new laws – instead I developed commitment to learn how light behaves, how it describes matter and use this knowledge to push the boundaries, creating pictures which are parallel to nature, but separate from it (at least that’s what I’m aiming to). My motivations surrounding drawing are rather simple. There is always something cool to find within light and darkness.
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