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Detail of Yellow Warbler on Wood

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Yellow Warbler on Wood Drawing

Isabelle Du Toit

United States

Drawing, Ink on Paper

Size: 30.5 W x 22.9 H x 0.3 D cm

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HK$6,898

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
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This (pen and ink) original drawing is part of my Refuge series. I use the idea of the broken branch to discuss what it means to have a home, a refuge. Not just for wildlife but for humans too. I find my pieces of wood in the Appalachian forest after storms. I love using warblers as I have immense ...

Year Created:

2024

Subject:
Mediums:

Drawing, Ink on Paper

Rarity:

One-of-a-kind Artwork

Size:

30.5 W x 22.9 H x 0.3 D cm

Ready to Hang:

No

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships Rolled in a Tube

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

14-day return policy. Visit our help section for more information.

Handling:

Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

United States.

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Born 1972 Stasbourg, France / South African Rather than being influenced by the great masters of the past, Isabelle's artistic inspiration comes directly from her personal observations, experiences and feelings regarding the world we live in today. Although, initially, she sometimes would work from various photographs, she says that once the image is established, the photos would be set aside and the entire painting reworked to infuse it with warmth and life. Her work is essentially about compassion, empathy and universal inter-connectedness; hence a recurring theme in her work concerns humankind's encroachment on Nature and how the environment we have created for ourselves impacts us and all other species to which we are inescapably linked, physically as well as emotionally.Often exploring modern isolation and loneliness, Isabelle admits that her work is also deeply personal at times, and thus prefers to see her art as representational rather than realism. 'Ultimately, I think it important to leave sufficient room for the viewer's own interpretation', she says.

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