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So often, the residue of this, our modern lifestyle, is this sense that we are in a constant struggle. It may be job, family, technology, which has overwhelmed so many other aspects of ourselves. It may be a myriad of things, but more often than not, it is, as I see it, a symptom of living in such fluid times. The original is around the same size, and is done in oil pastels, on paper. It is framed behind glass in an ornate gold frame, twenty by twenty four inches.
So often, the residue of this, our modern lifestyle, is this sense that we are in a constant struggle. It may be job, family, technology, which has overwhelmed so many other aspects of ourselves. It may be a myriad of things, but more often than not, it is, as I see it, a symptom of living in such fluid times. The original is around the same size, and is done in oil pastels, on paper. It is framed behind glass in an ornate gold frame, twenty by twenty four inches.
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VIEW IN MY ROOM

...You try fighting it.... Drawing

De Yos

United States

Drawing, Pastel on Paper

Size: 20 W x 16 H x 1.5 D in

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$515USD

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About The Artwork

So often, the residue of this, our modern lifestyle, is this sense that we are in a constant struggle. It may be job, family, technology, which has overwhelmed so many other aspects of ourselves. It may be a myriad of things, but more often than not, it is, as I see it, a symptom of living in such fluid times. The original is around the same size, and is done in oil pastels, on paper. It is framed behind glass in an ornate gold frame, twenty by twenty four inches.

Details & Dimensions

Drawing:Pastel on Paper

Original:One-of-a-kind Artwork

Size:20 W x 16 H x 1.5 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Based out of a modest home studio in New York, De Yos is a Painter, and Draughtsman, whose work deals primarily in the chaotic flux that is Human Nature. His work explores the tensions between this element and, technology, superstition, the family unit dynamic, and lastly, what he has come to term as ' The myth of progress'. Much of the time the work is laced with a strong personal aspect, and in style is quite expressive. Now in his mid fifties, De Yos has wielded some sort of mark making implement in his hand as far back as his memory will take him. Although he has had some formal technical instruction-much of it through books and literature- De Yos is mostly a self taught painter, yet, one well versed in all aspects of the history of Art. He often draws upon this breadth of knowledge in the creation of his varied style of works.

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