VIEW IN MY ROOM
France
Drawing, Ink on Paper
Size: 30 W x 22.4 H x 0.1 D in
Ships in a Tube
Part of my ongoing series of paintings/drawings on 22X30 inch. Following a series of papers stuck in the streets of Paris during the festival 2014 "the spring of poets". Excerpts from phrases, from words, poems...On 300gr Fine Art paper . Note that my drawings are sent rolled and very well proteted in a tube this drawing is signed and a certificate of authenticity is added
Original Created:2018
Subjects:Graffiti
Materials:Paper
Styles:Street Art
Mediums:Inkmarker penWatercolor
Drawing:Ink on Paper
Original:One-of-a-kind Artwork
Size:30 W x 22.4 H x 0.1 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships Rolled in a Tube
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:France.
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Richard Saint-Amans is a French artist born in 1949 in Béziers. he lives and works near Versailles. Although he has attended art courses in differents schools, Richard Saint-Amans defines himself as an autodidact. His artistic debut as a teenager took him to photography, which he turned aside to create hybrid prints, the preconceptions of which are already being worked on. Arrive painting. His taste for American hyperrealism, Flemish primitives, his background as a photographer naturally takes him to a hyperrealist figuration. He then works on the issue of transparency and glazing in a demanding technical exploration. He ends up feeling cramped in this approach and the concomitant discovery of Japan confirms the abandonment of this path. By freeing himself from the constraints of the technique, he refocuses himself on the line, concentrating on gestures in a quasi-calligraphic approach. Inspired by Hans Hartung, he is interested in signs, traces and other bits of memory left on the walls. Mixing of supports and hybridization still between text and pictorial work. Thus, most of the numbers he walked away the sandstone of his inner paths, he comes to superimpose signs, substrates of an almost forgotten writing, producing abstract compositions, stripping, purifying his line for ever closer of the essence of the gesture, calligraphing the painting in a way.
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