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The outer forms should not simply be drawn, but rather to clarify the relationships between them. A representation in profile shows a completely different picture of the body. Overlaps and shortenings result from a half-sided perspective. Thanks to special arm and leg adjustments, the sitting position enables a variety of designs. The abdominal wall is stretched, the shoulder girdle behaves differently depending on the position of the arms. Every posture has not only a mechanical, but also a psychological aspect, as The Thinker of Rodin shows. Charcoal drawing on 170g cardboard. Year 2020 Sending unfreamed.
The outer forms should not simply be drawn, but rather to clarify the relationships between them. A representation in profile shows a completely different picture of the body. Overlaps and shortenings result from a half-sided perspective. Thanks to special arm and leg adjustments, the sitting position enables a variety of designs. The abdominal wall is stretched, the shoulder girdle behaves differently depending on the position of the arms. Every posture has not only a mechanical, but also a psychological aspect, as The Thinker of Rodin shows. Charcoal drawing on 170g cardboard. Year 2020 Sending unfreamed.
The outer forms should not simply be drawn, but rather to clarify the relationships between them. A representation in profile shows a completely different picture of the body. Overlaps and shortenings result from a half-sided perspective. Thanks to special arm and leg adjustments, the sitting position enables a variety of designs. The abdominal wall is stretched, the shoulder girdle behaves differently depending on the position of the arms. Every posture has not only a mechanical, but also a psychological aspect, as The Thinker of Rodin shows. Charcoal drawing on 170g cardboard. Year 2020 Sending unfreamed.
The outer forms should not simply be drawn, but rather to clarify the relationships between them. A representation in profile shows a completely different picture of the body. Overlaps and shortenings result from a half-sided perspective. Thanks to special arm and leg adjustments, the sitting position enables a variety of designs. The abdominal wall is stretched, the shoulder girdle behaves differently depending on the position of the arms. Every posture has not only a mechanical, but also a psychological aspect, as The Thinker of Rodin shows. Charcoal drawing on 170g cardboard. Year 2020 Sending unfreamed.
The outer forms should not simply be drawn, but rather to clarify the relationships between them. A representation in profile shows a completely different picture of the body. Overlaps and shortenings result from a half-sided perspective. Thanks to special arm and leg adjustments, the sitting position enables a variety of designs. The abdominal wall is stretched, the shoulder girdle behaves differently depending on the position of the arms. Every posture has not only a mechanical, but also a psychological aspect, as The Thinker of Rodin shows. Charcoal drawing on 170g cardboard. Year 2020 Sending unfreamed.
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Charcoal drawing Drawing

Karina Plachetka

Germany

Drawing, Charcoal on Paper

Size: 16.5 W x 11.4 H x 0 D in

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About The Artwork

The outer forms should not simply be drawn, but rather to clarify the relationships between them. A representation in profile shows a completely different picture of the body. Overlaps and shortenings result from a half-sided perspective. Thanks to special arm and leg adjustments, the sitting position enables a variety of designs. The abdominal wall is stretched, the shoulder girdle behaves differently depending on the position of the arms. Every posture has not only a mechanical, but also a psychological aspect, as The Thinker of Rodin shows. Charcoal drawing on 170g cardboard. Year 2020 Sending unfreamed.

Details & Dimensions

Drawing:Charcoal on Paper

Original:One-of-a-kind Artwork

Size:16.5 W x 11.4 H x 0 D in

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Karina Plachetka is an experienced painter and draftsman who has exhibited her work in France, Spain, Germany and Austria. Her primary creative inspiration comes from an inherent need to shape something, which she fulfills by composing figurative and abstract paintings and drawings that depict scenes of nature. She intends for her finished artworks to act as quiet life companions for her collectors, joyful representations of observed moments and elements for people to enjoy. Curently she works on her projects.

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