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"Color Theft, Five Volumes of Richard Meier", 20 x 20 inches, ink & color pencil on paper
This geometric figure drawing is one of an ongoing series of drawings in which the color choices are inspired by a book in my collection of architecture, interior design, and art books.

I'm subconsciously influenced by the five colors of the "Richard Meier Architect" Volume 1-5 books that reside on a credenza in my living room. Those colors are blazed in my brain, they influence just about ever personal color choice I make. Sometimes I have to fight off those colors to get to new colors. In this drawing I surrender and blatantly steal that color scheme.

Mary Wagner, "Color Theft, Five Volumes of Richard Meier", 20 x 20 inches, Faber-Castell Pitt artist pigment ink pens and Polychromos color pencil on Fabriano Artistico 100% cotton paper. Drawing diameter is approx. 15-1/4 inches (38.7 cm) at widest point. 

Pin holes are in the paper as pins hold down my drawing apparatus.
This geometric figure drawing is one of an ongoing series of drawings in which the color choices are inspired by a book in my collection of architecture, interior design, and art books.

I'm subconsciously influenced by the five colors of the "Richard Meier Architect" Volume 1-5 books that reside on a credenza in my living room. Those colors are blazed in my brain, they influence just about ever personal color choice I make. Sometimes I have to fight off those colors to get to new colors. In this drawing I surrender and blatantly steal that color scheme.

Mary Wagner, "Color Theft, Five Volumes of Richard Meier", 20 x 20 inches, Faber-Castell Pitt artist pigment ink pens and Polychromos color pencil on Fabriano Artistico 100% cotton paper. Drawing diameter is approx. 15-1/4 inches (38.7 cm) at widest point. 

Pin holes are in the paper as pins hold down my drawing apparatus.
This geometric figure drawing is one of an ongoing series of drawings in which the color choices are inspired by a book in my collection of architecture, interior design, and art books.

I'm subconsciously influenced by the five colors of the "Richard Meier Architect" Volume 1-5 books that reside on a credenza in my living room. Those colors are blazed in my brain, they influence just about ever personal color choice I make. Sometimes I have to fight off those colors to get to new colors. In this drawing I surrender and blatantly steal that color scheme.

Mary Wagner, "Color Theft, Five Volumes of Richard Meier", 20 x 20 inches, Faber-Castell Pitt artist pigment ink pens and Polychromos color pencil on Fabriano Artistico 100% cotton paper. Drawing diameter is approx. 15-1/4 inches (38.7 cm) at widest point. 

Pin holes are in the paper as pins hold down my drawing apparatus.
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Color Theft, Five Volumes of Richard Meier Drawing

Mary Wagner

United States

Drawing, Ink on Paper

Size: 20 W x 20 H x 0.1 D in

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About The Artwork

This geometric figure drawing is one of an ongoing series of drawings in which the color choices are inspired by a book in my collection of architecture, interior design, and art books. I'm subconsciously influenced by the five colors of the "Richard Meier Architect" Volume 1-5 books that reside on a credenza in my living room. Those colors are blazed in my brain, they influence just about ever personal color choice I make. Sometimes I have to fight off those colors to get to new colors. In this drawing I surrender and blatantly steal that color scheme. Mary Wagner, "Color Theft, Five Volumes of Richard Meier", 20 x 20 inches, Faber-Castell Pitt artist pigment ink pens and Polychromos color pencil on Fabriano Artistico 100% cotton paper. Drawing diameter is approx. 15-1/4 inches (38.7 cm) at widest point. Pin holes are in the paper as pins hold down my drawing apparatus.

Details & Dimensions

Drawing:Ink on Paper

Original:One-of-a-kind Artwork

Size:20 W x 20 H x 0.1 D in

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Going round-and-round is the central principle and action of Mary Wagner’s drawing practice. At the core, these drawings are simple, curvilinear paths arching about some absent center like an interstellar object flirting about a gravity well. The rigorous lines warm and complicate through repetition. Patterns pile on top of each other. The slim edge takes on form and depth, like cotton candy wisps or subatomic particles, cohering into something a bit more solid. Value and texture suggest dimension and movement. These things coax and combine into a sort of non-subject; or a subjective subject matter, inviting the viewer to project themselves. They are exercises in minimal purity, or expressions of chaos and order. They are complicated networks or psychedelic dreamscapes. Wagner was born and raised in rural Wisconsin. She lives and draws in Chicago. Her artwork is in private collections around the world.

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