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Femininity Drawing

Alice Tournikioti

Greece

Drawing, Charcoal on Paper

Size: 27.6 W x 39.4 H x 0 D in

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544 Views
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About The Artwork

The works in charcoal on paper seem to constitute a special category in the painter’s artistic production. Whether these are drawings that serve as the basis for consequent paintings or comprise autonomous works, they are distinguished by immediacy and instinct, and are governed by a ‘visual rationale’ that is based on a powerfully geometrical element. The distinctive vertical and horizontal lines endlessly intersect, separate and connect the pieces of a reality that derives from a truly original material. The accurate recording of the natural light’s play to create the illusion of volume does not constitute an immediate concern for the artist, who adopts instead the technique of the gradation of the tones of the black and the white, a quality that is inherent in the charcoal as a medium. The black and the white colour and their multiple hues set off the vigour of the drawing and provoke a parallel fluctuation of emotions.

Details & Dimensions

Drawing:Charcoal on Paper

Original:One-of-a-kind Artwork

Size:27.6 W x 39.4 H x 0 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Alice Tournikioti has presented her works in Greece (Athens, Mykonos, Santorini, Zakynthos, Nafplio, Kalamata, Thessaloniki, Hydra), Europe (Geneva, Cyprus, Madrid, Berlin, Florence, Rome), Turkey (Istanbul), Asia (Tokyo) and America (New York). Her works are also in the collections of the National Bank, the Bank of Greece, Alpha Bank, Commercial Bank, Eurobank as well as the Vorre Museum and the National Gallery in Rhodes, and also in many private collections. The viewer studies and penetrates the realities that the painter shows, as her subjects are distinguished by a deep nostalgia and a sensual exoticism, while at the same time they dispose of sincerity and the appearance of truth, without ever focusing of the specific. Alice paints with deep sincerity and creative liberty, depicting figures and their environment through what feels like automatic writing. She draws in paint and colors with drawing, at the moment when space gives birth to the figures and these determine its self signifiers. Her unforced brush strokes, full of light and colour, power and sensitivity, boldness and imposition, liquidity and speed, thickness and in other places transparency, transers us to a blooming climate, there where everything is over and beginning again, on the slopes of frgetfulness and in the expanses of gazing. Alice’s figures, at times solitary and others surrounded, convey the loving relationship, the reconciliation of contrasts and comradeship. They also convey their optimism and desire for life, to us, through an “nnocence” of her look, outflanking the dead ends with revolutions.

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