VIEW IN MY ROOM
Netherlands
Drawing, colored pencil on Paper
Size: 11.7 W x 8.3 H x 0 D in
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Golden brown – 24-08-20 New paper experiment The other day I bought new paper by Talens (Toned Colour Mix): a sturdy dark blue sheet perfect for colored pencil and pastel sticks. I also happened to find an old pastel stick (gold, Cretacolor 48254) that I did not use yet. In fact working with that stick almost feel like using colored pencil rather than pastel. Golden Brown Then I thought of my regular model of indian descendance that always reminds me to ‘Golden Brown’ by The Strangers. She has this incredible range of skin hues: from pinkish brown rose to yellow browns. The aim was simple but effective this evening: do a colored pencil / pastel drawing under 2 hours and test the paper and the pastel. I must say I am quite content. Slightly Cubistic I kept the body slightly cubistic and a lot of paper open so the positive form of the body could communicate with dark blue plains surrounding it. As often I used two light source: one articial at the left and daylight that I tempered by closing the curtains. This way I created a combination of yellow and blue light that effected the skin tones and hues the way I liked it. Colored pencil and pastel drawing on Talen toned colour paper (21 x 29.7 x 0.1 cm) - A4 format) Artist: Corné Akkers
Drawing:colored pencil on Paper
Original:One-of-a-kind Artwork
Size:11.7 W x 8.3 H x 0 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Netherlands.
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Netherlands
1969, born in Nijmegen. My work can be seen in many countries all over the world. Corné employs a variety of styles that all have one thing in common: the ever search for the light on phenomena and all the shadows and light planes they block in. His favorites in doing so are oil paint, dry pastel and graphite pencil. He states that it’s not the form or the theme that counts but the way planes of certain tonal quality vary and block in the lights. Colours are relatively unimportant and can take on whatever scheme. It’s the tonal quality that is ever present in his work, creating the illusion of depth and mass on a flat 2d-plane. Corné combines figurative work with the search for abstraction because neither in extremo can provide the desired art statement the public expects from an artist. Besides all that, exaggeration and deviation is the standard and results in a typical use of a strong colour scheme and a hugh tonal bandwith, in order to create art that, when the canvas or paper would be torn into pieces, in essence still would be recognizable.
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