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At the rim of a flat almost separated coastal inlet at the Baltic Sea. We call it Bodden. You get saltmarsh rushes and by definition a feeling of being somewhere else, experiencing an unexpected wideness, a turning point. Soul's aching. 

Well, meanwhile – first time in my life – my drawing water froze over. I broke my brush free and did all the necessary brushes, went in and finished it with a roll of old East European paper tape.

The work comes with it's original drawing board. In this very case it's a wholeness to me—but it is of course separable if you prefer. The drawing board is 96 x 96 x 2 cm, see the additional picture.
At the rim of a flat almost separated coastal inlet at the Baltic Sea. We call it Bodden. You get saltmarsh rushes and by definition a feeling of being somewhere else, experiencing an unexpected wideness, a turning point. Soul's aching. 

Well, meanwhile – first time in my life – my drawing water froze over. I broke my brush free and did all the necessary brushes, went in and finished it with a roll of old East European paper tape.

The work comes with it's original drawing board. In this very case it's a wholeness to me—but it is of course separable if you prefer. The drawing board is 96 x 96 x 2 cm, see the additional picture.
At the rim of a flat almost separated coastal inlet at the Baltic Sea. We call it Bodden. You get saltmarsh rushes and by definition a feeling of being somewhere else, experiencing an unexpected wideness, a turning point. Soul's aching. 

Well, meanwhile – first time in my life – my drawing water froze over. I broke my brush free and did all the necessary brushes, went in and finished it with a roll of old East European paper tape.

The work comes with it's original drawing board. In this very case it's a wholeness to me—but it is of course separable if you prefer. The drawing board is 96 x 96 x 2 cm, see the additional picture.
At the rim of a flat almost separated coastal inlet at the Baltic Sea. We call it Bodden. You get saltmarsh rushes and by definition a feeling of being somewhere else, experiencing an unexpected wideness, a turning point. Soul's aching. 

Well, meanwhile – first time in my life – my drawing water froze over. I broke my brush free and did all the necessary brushes, went in and finished it with a roll of old East European paper tape.

The work comes with it's original drawing board. In this very case it's a wholeness to me—but it is of course separable if you prefer. The drawing board is 96 x 96 x 2 cm, see the additional picture.
At the rim of a flat almost separated coastal inlet at the Baltic Sea. We call it Bodden. You get saltmarsh rushes and by definition a feeling of being somewhere else, experiencing an unexpected wideness, a turning point. Soul's aching. 

Well, meanwhile – first time in my life – my drawing water froze over. I broke my brush free and did all the necessary brushes, went in and finished it with a roll of old East European paper tape.

The work comes with it's original drawing board. In this very case it's a wholeness to me—but it is of course separable if you prefer. The drawing board is 96 x 96 x 2 cm, see the additional picture.
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Bodden in Expectation of Winter Drawing

Christian Kabuß

Germany

Drawing, Chalk on Paper

Size: 32.7 W x 26 H x 0 D in

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Originally listed for $1,150
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997 Views
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About The Artwork

At the rim of a flat almost separated coastal inlet at the Baltic Sea. We call it Bodden. You get saltmarsh rushes and by definition a feeling of being somewhere else, experiencing an unexpected wideness, a turning point. Soul's aching. Well, meanwhile – first time in my life – my drawing water froze over. I broke my brush free and did all the necessary brushes, went in and finished it with a roll of old East European paper tape. The work comes with it's original drawing board. In this very case it's a wholeness to me—but it is of course separable if you prefer. The drawing board is 96 x 96 x 2 cm, see the additional picture.

Details & Dimensions

Drawing:Chalk on Paper

Original:One-of-a-kind Artwork

Size:32.7 W x 26 H x 0 D in

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Christian Kabuß is an internationally established German artist and musician. He studied Medicine at the University of Rostock, then went on to Kunsthochschule Berlin-Weißensee, Accademia di Belle Arti di Venezia and Moholy-Nagy University of Arts and Design Budapest to practice Fine Art. The artistic language within his paintings is deeply linked to a phenomenological approach to bodiliness, the freedom of subconscious artistic creation, and the theoretical and practical considerations of Design. Kabuß has exhibited in Germany and abroad. His works are present in regional, national and international collections. It is his aim to work as honest as possible, and he tends towards imagery, which is embedded in Lebenswelt, and sound. As a pianist, he performs small intimate concerts. His music is soft, sometimes freely improvised and portrays a sense of a parallel-world. Exhibitions in Italy, Sweden, Germany, China, and Japan.

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