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Thinking about learning as a going concern. How to continuously learn. What to learn. How to unlock the mind, learn a new instrument, speak a new language and learn to learn. Employing desire in the service of learning. Remembering as learning. Practicing as learning. Grasping beginner's mind by the lapels and demanding Speak!

My pastel drawings are treated very carefully from the outset of the process. Archival materials are deployed to insure the pieces remain as I've drawn them. When taped to a drawing board (so that I can work vertically on an easel) a 2" border is masked off around the edge of the image area. This border is not intended to be seen but to be used as a means to handle and secure the finished piece which is then taped to another piece of foam core. With strips of the archival foam core  I create a quarter inch build up around the drawing so that glassine can be stretched across the top without coming in contact with the surface of the drawing.

A collector would receive them in this protective state. Once taken to a framer I ask that they be framed as seen. Not with the border seen but wit matted over and framed with archival materials. Thank you and good night.
Thinking about learning as a going concern. How to continuously learn. What to learn. How to unlock the mind, learn a new instrument, speak a new language and learn to learn. Employing desire in the service of learning. Remembering as learning. Practicing as learning. Grasping beginner's mind by the lapels and demanding Speak!

My pastel drawings are treated very carefully from the outset of the process. Archival materials are deployed to insure the pieces remain as I've drawn them. When taped to a drawing board (so that I can work vertically on an easel) a 2" border is masked off around the edge of the image area. This border is not intended to be seen but to be used as a means to handle and secure the finished piece which is then taped to another piece of foam core. With strips of the archival foam core  I create a quarter inch build up around the drawing so that glassine can be stretched across the top without coming in contact with the surface of the drawing.

A collector would receive them in this protective state. Once taken to a framer I ask that they be framed as seen. Not with the border seen but wit matted over and framed with archival materials. Thank you and good night.
Thinking about learning as a going concern. How to continuously learn. What to learn. How to unlock the mind, learn a new instrument, speak a new language and learn to learn. Employing desire in the service of learning. Remembering as learning. Practicing as learning. Grasping beginner's mind by the lapels and demanding Speak!

My pastel drawings are treated very carefully from the outset of the process. Archival materials are deployed to insure the pieces remain as I've drawn them. When taped to a drawing board (so that I can work vertically on an easel) a 2" border is masked off around the edge of the image area. This border is not intended to be seen but to be used as a means to handle and secure the finished piece which is then taped to another piece of foam core. With strips of the archival foam core  I create a quarter inch build up around the drawing so that glassine can be stretched across the top without coming in contact with the surface of the drawing.

A collector would receive them in this protective state. Once taken to a framer I ask that they be framed as seen. Not with the border seen but wit matted over and framed with archival materials. Thank you and good night.
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Re sequence-memorize Drawing

Shelton Walsmith

United States

Drawing, Pastel on Paper

Size: 18 W x 13 H x 0.1 D in

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88 Views
13

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About The Artwork

Thinking about learning as a going concern. How to continuously learn. What to learn. How to unlock the mind, learn a new instrument, speak a new language and learn to learn. Employing desire in the service of learning. Remembering as learning. Practicing as learning. Grasping beginner's mind by the lapels and demanding Speak! My pastel drawings are treated very carefully from the outset of the process. Archival materials are deployed to insure the pieces remain as I've drawn them. When taped to a drawing board (so that I can work vertically on an easel) a 2" border is masked off around the edge of the image area. This border is not intended to be seen but to be used as a means to handle and secure the finished piece which is then taped to another piece of foam core. With strips of the archival foam core I create a quarter inch build up around the drawing so that glassine can be stretched across the top without coming in contact with the surface of the drawing. A collector would receive them in this protective state. Once taken to a framer I ask that they be framed as seen. Not with the border seen but wit matted over and framed with archival materials. Thank you and good night.

Details & Dimensions

Drawing:Pastel on Paper

Original:One-of-a-kind Artwork

Size:18 W x 13 H x 0.1 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

"Despite strident efforts to paint the smallness of birds monuments persist. " website: www.sheltonwalsmith.com Published by The Paris Review, Knopf, Vintage, Rizzoli Books, Paris Vogue, Denver Quarterly, Shots Magazine, Harper Collins, The New York Times and others. Exhibited in New York, San Francisco, Prague, St.Thomas and Austin. His most recent one man shows was at Seven Minus Seven Gallery In the US Virgin Islands. Personal interests; weather patterns, the inner life of trees, limes, irrationality, filigreed space, tequila, the middle ages, muay thai boxing, kittens, puppies, red wine, French New Wave cinema, sharp knives, lengths of twine rolled into balls for kittens to rut and nuzzle, cowboy britches, comedy jokes, rosemary short bread, blue moons, red squares, purple rain, carrot juice, my bidet, interiors, monumentality, audit remediation, the direction up. profile pic: Self portrait holding Autumnal Brutalist collage January 26, 2022

Artist Recognition

Artist featured in a collection

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