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The Diffractive Nature of Being Drawing

Regina Valluzzi

United States

Drawing, Ink on Paper

Size: 10 W x 8 H x 0.1 D in

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About The Artwork

This drawing is sort of a "meta musing". Having worked with diffraction and scattering a lot over the years, these technical concepts have become one of my personal metaphors for approaching and understanding life in general. Thought and ideation are particularly fascinating – the ways that ideas coalesce and emerge, bounce of one another, refract and scatter. The ways that thought and idea define our sense of being. Some of the words we use to describe ideas are also the terminology of scattering and diffraction – scattered, coherent, incoherent, interference, etc. One can layer scattering metaphors to describe ideas to describe scattering phenomena, which characterize "objects" that are basically understood as pure idea anyway – nothing to see or touch, just abstractions around data.

Details & Dimensions

Drawing:Ink on Paper

Original:One-of-a-kind Artwork

Size:10 W x 8 H x 0.1 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I am offering a selection of Abstracts and abstracted Science theme work on Saatchi. Please search for me online for my Landscape and Tree of Life bodies of work. I often ask myself whether I'm a physical scientist who also paints, or a painter who has studied a bit too much physics and chemistry. Physics and Chemistry have become a big part of how I model and understand the world. I approach paint texture in terms of it's viscoelastic properties, and color in terms of pigments and their spectra. If you take a cadmium inorganic red and it's organic substitute, gently tweak them so they look almost identical in indirect daylight, will they behave differently in incandescent light? Sunlight? Late afternoon light? (controlled lab light?) Unlike people, fruit, landscapes and other traditional painting subjects, technical ideas and objects don't have an "appearance" in any normal sense of imagery. They're imagined and depicted as visual ideas that guide us through complex phenomena. For example what do like bonds in molecules really look like? Or the quantum not-quite-existence of high vacuum-spawned subatomic particles? The softly dancing dynamic structures in complex fluids? What about "things" that are too small and too delicate for even the best electron microscopes (TEM - SEMs are toys)? I've found that many images scientists create serve as visual similes to data and hypotheses, and as visual metaphors for complex and often highly abstract concepts. These metaphors and their stylized interpretation inspire and guide my "abstract" work.

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