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"Untitled" 718/3 (Wanderlust series) Drawing
Spain
Drawing, Ink on Paper
Size: 39.4 W x 27.6 H x 1.2 D in
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About The Artwork
They are drawings that deal with thought, drawings of memory, which try to recover memories to obtain an image and transfer it to the paper. Many of these memories and obsessions come from almost two years of intense contact with landscape. But beyond this fact any relationship with nature disappears in the drawings. All that remains is the memory of a look evoked by natural forms and rhythms but which never quite let itself be captured in its entireity. ____ Mixed media drawing on 120 gr Arcoprint Edizioni paper (Fedrigoni) mounted on 3mm MDF panel. It is signed on the front by the artist. This artwork will be shipped in a carboard box. It will be packed using acid-free paper, 1/2” thick foam board, bubble wrap, plastic sheeting and high quality packing tape. The certificate of authenticity will be included in the package together with a postcard signed by the artist.
Details & Dimensions
Drawing:Ink on Paper
Original:One-of-a-kind Artwork
Size:39.4 W x 27.6 H x 1.2 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Box
Shipping & Returns
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Spain.
Customs:Shipments from Spain may experience delays due to country's regulations for exporting valuable artworks.
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Born in 1975 in Ceuta, Spain. His work is tied to the idea of nature and culture as the result of human activity. His paintings and drawings avoid to directly representing nature. It's more about insinuating a form or evoking a space or a landscape and showing a process in which all the decisions that are taken are submitted to the things perceived of the natural world. Work usually starts with thin layers of ink or graphite before more layers of paint are applied to the paper or canvas. Then the painting grows in many stages where it is corrected through different extractions and superimpositions. Many of the paintings don't have a title. This frees the observer and allows him to perform an exercice with his eyes, forces him to look, to form his own vision and build a landscape, which in each case will depend on his own cultural bagage.
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