view additional image 1
view additional image 2
view additional image 3
view additional image 4
322 Views
3

VIEW IN MY ROOM

7500 Light-Years Print

Yurii Yermolenko

Ukraine

Open Edition Prints Available:
info-circle

Select a Material

info-circle

Fine Art Paper

Fine Art Paper

Photo Paper

Canvas

Select a Size

10 x 10 in ($45)

10 x 10 in ($45)

16 x 16 in ($76)

Add a Frame

info-circle

White ($80)

Black ($80)

White ($80)

Natural Wood ($80)

Metal: Light Pewter ($150)

Metal: Dark Pewter ($150)

No Frame

$125USD
Primary imagePrimary imagePrimary imagePrimary imagePrimary image Trustpilot Score
322 Views
3

Artist Recognition

link - Artist featured in a collection

Artist featured in a collection

About The Artwork

Yurii Yermolenko, 7500 Light-Years, (ultraviolet lighting), 2019, (GOLDILOCKS ZONE project), fluorescent acrylic on vinyl, 17.5x17.5 cm. The double star system Eta Carinae's expanding gases glowing in red, white, and blue. Imagine slow-motion fireworks that started exploding nearly two centuries ago and haven't stopped since then. This is how you might describe this double star system located 7500 light-years away in the constellation Carina (The Ship's Keel). In 1838 Eta Carinae underwent a cataclysmic outburst called the Great Eruption, quickly escalating to become in 1844 the second brightest star in the sky by April of that year. Violent mass ejections are not uncommon in Eta Carinae's history; the system has been blighted by chaotic eruptions, often blasting parts of itself into space But the Great Eruption was particularly dramatic. The larger of the two stars is a massive, unstable star nearing the end of its life, and what astronomers witnessed over a century and a half ago was, in fact, a stellar near-death experience. The resulting surge of light was outshone only by Sirius, which is almost one thousand times closer to Earth, and for a time made Eta Carinae an important navigation star for mariners in the southern seas. This close call stopped just short of destroying Eta Carinae, and the light intensity gradually subsided. Researchers studying the star today can still see the signature of the Great Eruption on its surroundings; the huge dumbbell shape is formed of the dust and gas and other filaments that were hurled into space in the expulsion. These hot glowing clouds are known as the Homunculus Nebula, warm magnesium gas glowing in ultraviolet light. Scientists have long known that the outer material thrown off in the 1840s eruption has been heated by shock waves generated when it crashed into material previously ejected from the star. A whole new luminous magnesium structure was found in the space between the dusty bipolar bubbles and the outer shock-heated nitrogen-rich filaments. The fast and energetic ejection of material that may have been expelled by the star shortly before the expulsion of the rest of the nebula. The streaks visible in the blue region outside the lower-left bubble. These streaks appear where the star's light rays poke through the dust clumps scattered along the bubble's surface. Wherever the ultraviolet light strikes the dense dust, it leaves a long thin shadow that extends beyond the lobe into the surrounding gas. This technique of searching in ultraviolet light for warm gas could be used to study other stars and gaseous nebulae, the researchers say. This type of ultraviolet magnesium emission may also expose previously hidden gas in other types of objects that eject material, such as protostars or other dying stars. Eta Carinae, which may once have weighed as much as 150 Suns, started out as a triple system, and the 1840s mass ejection was triggered when the primary star devoured one of its companions, rocketing more than ten times the mass of our Sun into space. While the exact circumstances of that show-stopping burst of light remain a mystery for now, astronomers are more certain of how this cosmic light show will conclude. Eta Carinae's fireworks display is fated to reach its finale when it explodes as a supernova, greatly surpassing even its last powerful outburst. This may already have happened, but the tsunami of light from such a blinding blast would take 7500 years to reach Earth.

Details & Dimensions

Print:Giclee on Fine Art Paper

Size:10 W x 10 H x 0.1 D in

Size with Frame:15.25 W x 15.25 H x 1.2 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Yurii Yermolenko – A Master of Fine Arts (MFA), author of special, large-scale, monumental picturesque projects, set designer, art director (musical video), music video director, photographer, Facevinyl & RapanStudio Founder and CEO. Born in 1973 Kiev (Ukraine) Lives and works in Kiev. "LIVE PAINTING" One will never forget works painted by artist Yurii Yermolenko. They carry a rave of color, flexibility of motifs, and a very special reality. - Yurii, how long have you been living for painting? Creation of a painting, the plot, the canvas – is this an outburst of emotions, or reflection of your world outlook? - I believe that I began to live for painting even before I was born. The birth of a painting on canvass most of all resembles a rite, when you are led by some creative ecstasy, intuition. It should be noted however that the period preceding the creation of a painting is very interesting. Here, an entirely different scheme works, involving a great deal of analysis, collection of information, anthropological studies, maybe, travelling. - Your paintings are distinguished for intense colors. Does this reflect your temper, or the desire to add colors to everyday routine? - In the first place, it reflects my temper of an artist and a painter. When you paint a picture, it should sound in colors, as a good musical composition, this is the main thing. - You have a unique technique of execution – the images are smudgy and distinct at a time. What stands behind it? - I like it when a painting represents a deep picturesque space, full of special light, as if in a dream, in which, images can breathe and vibrate. - Who, or what, inspires you? - My dear muse, my angel of inspiration protects and helps me. And as far as the projects are concerned, they may be triggered by a beautiful dream or a journey. - What really encourages you – criticism, or commendation? - I am encouraged not by criticism or commendation, but by angels of inspiration. Criticism or commendation take place post factum, as a response to a work of art; both are helpful; the worst thing is when there is no response at all. - Please, tell us about your creative plans. - I will continue experimenting with techniques. By the way, my another project was a pure experiment with "flower-dotted" fabric – this decorative pattern dictates the figurative space. MAGIC WOMAN magazine, Culture (section)

Artist Recognition

Artist featured in a collection

Artist featured by Saatchi Art in a collection

Thousands Of Five-Star Reviews

We deliver world-class customer service to all of our art buyers.

globe

Global Selection

Explore an unparalleled artwork selection by artists from around the world.

Satisfaction Guaranteed

Our 14-day satisfaction guarantee allows you to buy with confidence.

Support An Artist With Every Purchase

We pay our artists more on every sale than other galleries.

Need More Help?

Enjoy Complimentary Art Advisory Contact Customer Support