Abandoned (in Calais) Installation

I was born in Ougree (currently Seraing - Province of Liege - Belgium ) on 11 August 1957. I speak French and it's very difficult for me to explain these technical and philosophical details in English. So I suggest you visit my website and my blog. Thank you for your understanding. My production is an intimate journey, it request the investment of the spectator. My motivation is sharing a vision of the world, art is the vector of communication; I consider that the institution can meet the spiritual and intellectual needs of the individual. Art project and positioning My achievements are reflected in a concept; they are the expression of "my dionysian inner need *". According to the Hegelian concept of ideational journey, I defined my generation as "Concrétisme Plastic". My Art Project is to represent the perception and the eradication of anxiety, facing the profound imbalance of today's world, injustice, and societal pressures and individual discomfort it causes, according to the scheme: - Idea: Design of the mind (Abstraction) - Concretism ideational (Written) - Subjective Concretism (Plan and staff)) - Concretism Objective (Purpose and universal) The essence of the medium, whatever it is, is the unique perspective, as well as the communication medium of the artist's relationship to the world. The subjective nature of painting allows me to interpret and remedy the inconvenience inherent in the real objective. Antagonism and ambivalence are attributable to changes in our lifestyles. My research suggests a return to universal values, Philosophical, psychological and spiritual, in order to balance the binomial - / +. The ultimate evolution of concept will be present (or represent) the mixture of the issue and its remediation in a single representation. My position therefore concerns the social and spiritual tensions and remediation, through representation. * - [ "In short, the effect of inner necessity, and thus the development of art, is a progressive externalization of the eternal goal in the subjective time. And so, on the other hand, the objective of the fight against subjective "Philippe SERS - Preface of the book Concerning the Spiritual in Art - W. Kandinsky. - For Nietzsche, in his first book "The Birth of the tragedy," Dionysus, is to be the most full of life and represents, beyond the orgiastic drunkenness, existential abundance, life as a creative power.