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Better Broken Windows Than Broken Promises Installation

Morwenna Catt

United Kingdom

Installation, Textile on Soft (Yarn, Cotton, Fabric)

Size: 35.6 W x 15.2 H x 2.5 D cm

This artwork is not for sale.

41 Views

3

ABOUT THE ARTWORK
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Part of a series of works about Women's Suffrage. This piece is an old hammer inscibed with Pyrography. I've displayed it on an antique textile doily cross stitched with delicate Pansies (an emblem of suffrage). Suffragettes would inscribe the rocks, bricks and hammers that they used to smash wind...

Year Created:

2018

Subject:
Mediums:

Installation, Textile on Soft (Yarn, Cotton, Fabric)

Rarity:

One-of-a-kind Artwork

Size:

35.6 W x 15.2 H x 2.5 D cm

Ready to Hang:

No

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Outdoor Safe:

No

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

14-day return policy. Visit our help section for more information.

Need more information?

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Born UK. Morwenna has a degree in Art & Design and graduated with a Masters in Fine Art from Leeds Metropolitan University. Her current practice includes textiles, painting, drawing, light boxes, installation and sculpture. Her work has been exhibited nationally and internationally; notably at The Museum of Arts and Design in New York, Galerija Skuc in Ljubljana and Jack the Pelican in New York. She began to work with textiles as a post graduate student and is now best known for her embroidered 2D and sculptural works. For many years she has also designed and created extravagant costumes and public works. Morwenna has worked as a resident artist within Museum settings producing new work and larger scale commissions in response to collections at historical venues including commissions for English Heritage. Artist Statement: I began my artistic career as a Painter & Illustrator but I’m now best known for my embroidered 2D and sculptural textiles. My work is playful with a dark, sometimes subversive, edge. I like to populate spaces with a menagerie of animal or half-animal creatures and they often have their roots in familiar archetypes from Fairy Tales or from a mythological and nostalgic past. I love folklore and objects which have totemic or magical connotations. I am, by nature, a collector, gathering ‘treasure’ like a Magpie; objects, ephemera, rags, clothes, photographs, poems, texts – things used and worn away by human contact. I have a sense that a person retains a spark of life through the collecting and treasuring of things and the stories (real or imagined) that can be told about them.”

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