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Jack DeJohnette & Buddy Guy Installation

Yurii Yermolenko

Ukraine

Installation, Paint on Plastic

Size: 11.8 W x 11.8 H x 0.1 D in

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About The Artwork

Yury Ermolenko, ''Jack DeJohnette'' - Facevinyl - THE BIG COLLECTION - №67, side I, 2013, acrylic on vinyl. The History of Jazz and Blues. Yury Ermolenko, ''Buddy Guy'' - Facevinyl - THE BIG COLLECTION - №67, side II, 2013, acrylic on vinyl. The History of Jazz and Blues. Jack DeJohnette (born August 9, 1942) is an American jazz drummer, pianist, and composer. An important figure of the fusion era of jazz, DeJohnette is one of the most influential jazz drummers of the 20th century, given his extensive work as leader and sideman for musicians including Charles Lloyd, Freddie Hubbard, Keith Jarrett, Bill Evans, John Abercrombie, Alice Coltrane, Sonny Rollins, Miles Davis, Joe Henderson, Michael Brecker, Herbie Hancock and John Scofield. He was inducted into the Modern Drummer Hall of Fame in 2007. DeJohnette's style incorporates elements of jazz, free jazz, world music, and R&B, contributing to him being one of the most highly regarded and in-demand drummers. His drumming style has been called unique; one critic writes that he is not merely a drummer but a "percussionist, colourist and epigrammatic commentator mediating the shifting ensemble densities" and that "his drumming is always part of the music's internal construction." Modern Drummer magazine, in a 2004 interview, called DeJohnette's drumming "beyond technique." DeJohnette calls himself an "abstract thinker" when it comes to soloing, saying that he puts "more weight on the abstract than, 'What were you thinking in bar 33?' I don't like to think that way. I can do it, but I like to be more in the flow." In terms of what he feels when he plays, DeJohnette said that when he plays, he goes "into an altered state, a different headspace. I plug into my higher self, into the cosmic library of ideas." He has remarked that he has to play with a lot of restraint when playing in Keith Jarrett's trio, in order "to play with the subtlety that the music requires. George "Buddy" Guy (born July 30, 1936) is an American blues guitarist and singer. He is an exponent of Chicago blues and has influenced eminent guitarists including Eric Clapton, Jimi Hendrix, Jimmy Page, Keith Richards, Stevie Ray Vaughan, Jeff Beck and John Mayer. In the 1960s, Guy played with Muddy Waters as a house guitarist at Chess Records and began a musical partnership with the harmonica player Junior Wells. Guy was ranked 23rd in Rolling Stone magazine's "100 Greatest Guitarists of All Time". His song "Stone Crazy" was ranked 78th in the Rolling Stone list of the "100 Greatest Guitar Songs of All Time". Clapton once described him as "the best guitar player alive". In 1999, Guy wrote the book Damn Right I've Got the Blues, with Donald Wilcock. His autobiography, When I Left Home: My Story, was published in 2012. In the early 1950s Guy began performing with bands in Baton Rouge. While living there, he worked as a custodian at Louisiana State University. Soon after moving to Chicago on September 25, 1957, Guy fell under the influence of Muddy Waters. In 1958, a competition with West Side guitarists Magic Sam and Otis Rush gave Guy a record contract. Soon afterwards he recorded for Cobra Records. He recorded sessions with Junior Wells for Delmark Records under the pseudonym Friendly Chap in 1965 and 1966. Guy’s early career was impeded by conservative business choices made by his record company, Chess Records, his label from 1959 to 1968, which refused to record Guy playing in the novel style of his live shows. Leonard Chess, Chess Records founder, denounced Guy’s playing as "noise". In the early 1960s, Chess tried recording Guy as a solo artist with R&B ballads, jazz instrumentals, soul and novelty dance tunes, but none of these recordings were released as a single. Guy’s only Chess album, I Left My Blues in San Francisco, was released in 1967. Most of the songs belong stylistically to the era's soul boom, with orchestrations by Gene Barge and Charlie Stepney. Chess used Guy mainly as a session guitarist to back Muddy Waters, Howlin' Wolf, Little Walter, Sonny Boy Williamson, Koko Taylor and others. In 1965, Guy participated in the European tour American Folk Blues Festival. He appeared onstage at the March 1969 "Supershow" in Staines, England, which also included Eric Clapton, Led Zeppelin, Jack Bruce, Stephen Stills, Buddy Miles, Glenn Campbell, Roland Kirk, Jon Hiseman, and the Misunderstood. In 1972, he established The Checkerboard Lounge, with partner L.C. Thurman. Guy's career took off during the blues revival of the late 1980s and early 1990s. It was sparked by Clapton's request that Guy be part of the "24 Nights" all-star blues guitar lineup at London's Royal Albert Hall. Guy subsequently signed with Silvertone Records. Guy performs a month of shows each January at his Chicago blues club, Buddy Guy's Legends. In 2015, Alan Harper, a British blues fan, published the book Waiting for Buddy Guy: Chicago Blues at the Crossroads. While Guy's music is often labelled Chicago blues, his style is unique and separate. His music can vary from the most traditional, deepest blues to a creative, unpredictable and radical gumbo of the blues, avant rock, soul and free jazz that changes with each performance.

Details & Dimensions

Installation:Paint on Plastic

Original:One-of-a-kind Artwork

Size:11.8 W x 11.8 H x 0.1 D in

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Yurii Yermolenko – A Master of Fine Arts (MFA), author of special, large-scale, monumental picturesque projects, set designer, art director (musical video), music video director, photographer, Facevinyl & RapanStudio Founder and CEO. Born in 1973 Kiev (Ukraine) Lives and works in Kiev. "LIVE PAINTING" One will never forget works painted by artist Yurii Yermolenko. They carry a rave of color, flexibility of motifs, and a very special reality. - Yurii, how long have you been living for painting? Creation of a painting, the plot, the canvas – is this an outburst of emotions, or reflection of your world outlook? - I believe that I began to live for painting even before I was born. The birth of a painting on canvass most of all resembles a rite, when you are led by some creative ecstasy, intuition. It should be noted however that the period preceding the creation of a painting is very interesting. Here, an entirely different scheme works, involving a great deal of analysis, collection of information, anthropological studies, maybe, travelling. - Your paintings are distinguished for intense colors. Does this reflect your temper, or the desire to add colors to everyday routine? - In the first place, it reflects my temper of an artist and a painter. When you paint a picture, it should sound in colors, as a good musical composition, this is the main thing. - You have a unique technique of execution – the images are smudgy and distinct at a time. What stands behind it? - I like it when a painting represents a deep picturesque space, full of special light, as if in a dream, in which, images can breathe and vibrate. - Who, or what, inspires you? - My dear muse, my angel of inspiration protects and helps me. And as far as the projects are concerned, they may be triggered by a beautiful dream or a journey. - What really encourages you – criticism, or commendation? - I am encouraged not by criticism or commendation, but by angels of inspiration. Criticism or commendation take place post factum, as a response to a work of art; both are helpful; the worst thing is when there is no response at all. - Please, tell us about your creative plans. - I will continue experimenting with techniques. By the way, my another project was a pure experiment with "flower-dotted" fabric – this decorative pattern dictates the figurative space. MAGIC WOMAN magazine, Culture (section)

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