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Installation, Wood on Wood
Size: 65 W x 45 H x 3 D in
Ships in a Crate
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Wood mosaics were inspired by glass mosaics, it’s one of a kind type of work as far I know it I am the only one that makes this type of art.
2017
Wood on Wood
One-of-a-kind Artwork
65 W x 45 H x 3 D in
Not Framed
Yes
Ships in a Crate
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
United States.
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My name is Ayantu Audrey, and I am a multimedia artist specializing in the dynamic interplay of fabric, plaster, and acrylic. Born from a yearning to express myself authentically, my artistry is a testament to the transformative power of texture, color, and form. Through the transformative medium of plaster, I mold and sculpt, shaping raw materials into evocative landscapes of texture and dimension. With each stroke and gesture, I seek to capture the fluidity of emotion and the complexity of the human experience. The tactile nature of plaster allows me to explore the interplay between light and shadow, revealing hidden depths and inviting contemplation. Acrylic paint adds the final layer of depth and vibrancy to my work, infusing each piece with a burst of color and energy. From bold strokes to delicate washes, I manipulate the paint with a sense of spontaneity and intuition, allowing the composition to evolve organically. The juxtaposition of textures and hues creates a dynamic visual dialogue, drawing viewers into a rich tapestry of sensation and meaning. In essence, my art is a testament to the power of experimentation and the beauty of collaboration between diverse materials. Through the synthesis of fabric, plaster, and acrylic, I seek to transcend the boundaries of conventional artistic practice, inviting viewers to embark on a journey of discovery and wonder. Each piece is an invitation to explore the intersections of the tangible and the ephemeral, the familiar and the unknown, forging connections that resonate long after the final brushstroke is laid.
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