885 Views
10
View In My Room
Installation, Ink on Paper
Size: 26 W x 20 H x 1 D in
Ships in a Tube
885 Views
10
In this piece I chose to represent the cat with only a silhouette to heighten the elegant, tentative, and sensuous line of a cat. The bird is painted with gouache and serves as a life like counterpoint to the cat which I quite like. As for the series itself, I love to collage, I love haunting antique stores, and I love cats. So it seems I was destined to create this Cat Noir Series. The Series came about rather by accident. One day when I ran out of canvas and heavy paper and didn't want to make a trip to the art store, I resorted to pulling pages out of damaged antique book, glueing them together on the back of a large piece of lightweight paper. At first I experimented with figures on the antique pages and was unhappy with the result, but as I had been drawing wolves lately, it came to me that a cat would be a fun and interesting way to complete this experiment. I liked the results of my first piece so much that I have continued and created the Cat Noir Series. In terms of the antique book pages, I work very intuitively and try not to read too much into what I use and how I use it. Instead, like this series and much of my artwork it is all a grand experiment that presents itself as it is created.
Ink on Paper
One-of-a-kind Artwork
26 W x 20 H x 1 D in
Not Framed
Not applicable
Ships Rolled in a Tube
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
United States.
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Self-taught, I have done extensive commission work, selling pieces to collectors across the country. Although I am interested in themes of romantic love, internal and external struggle, feminism and freedom, there is no “right” story or emotion for any one of my pieces - but each figure seems to bring its own story as it interacts with each individual viewer. Whether I'm working on paper or canvas, the faces of my figures are indicated with a mere slash and the gender is often blurred which helps to create a blank slate, allowing the viewer to bring their own meaning and story to each piece. I work with a variety of materials - twigs, ink, chalk and oil pastel, collage, acrylic. Whatever the medium, I look to use the materials that will add a sense of immediacy and movement to the work. In many cases, even the gender is obscured in hopes that the figures remain universal or a “blank slates.” In this way, the viewer is able to transfer their own feelings and experiences onto the piece. While abstract human forms make up the bulk of what I'm interested in, I also like to explore new ideas and try new things, ergo my more illustration/collage based Cat Noir series. Just as in life, I don't want to limit myself or my work. It's all a grand adventure and I hope my work reflects this frame of mind. My greatest hope is my work makes you think, stirs emotion, or maybe just makes you smile.
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