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Untitled Installation

james gilbert

United States

Installation, Fabric on Canvas

Size: 56 W x 55 H x 32 D in

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About The Artwork

Natural disasters and accidents are inevitable but it is human aggression where we experience the loss of art, architecture and historical sites that are neither designed nor intends to be destroyed. To deliberately eradicate identity is to eradicate art and objects of symbolic meaning. We have witnessed systematic destruction of heritage as an attempt to destroy cultural diversity through religious or ideological reasoning, political agenda, activism or cultural curation. The sledgehammer, bullet, bomb, water or earthquake perform the destruction - I wanted to reimagine an object that is simultaneously a symbol and protectant.

Details & Dimensions

Installation:Fabric on Canvas

Original:One-of-a-kind Artwork

Size:56 W x 55 H x 32 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

American,.Lives and works Los Angeles Los Angeles based artist who works across mediums creating installations with video and sound, drawings and performance. I approach my work as an effort toward better understanding identity, where it comes from, dynamics that influence it, how we use it in reaction to social structures and the relationships that benefit or become strained by it. Responding to information presented by news, politics, personalities, and cultural events, which collide daily in an abundant global mash up, we define a period in our collective history and cultural understanding. I interpret these ideas in environments, often working in a series, large quantities and installations that may also incorporate video, sound, drawing or performance. When fabricating structures I utilize common construction materials such as industrial plastic, plywood, and plaster – each containing inherent characteristics that become salient in the core forms and in concept – transparency, plasticity, layered, breakable… Past work includes themes such as disaster, abuse of power, civil liberties, economics, and death. Each is presented through my own visual defense mechanism, perhaps light-hearted and with a sense of humor to aid in my comprehension of complex topics. Whereas the disaster may also be a playground, civil liberties a carnival game or internal structures become external I regard the work as a series of questions. The work has been exhibited in The United States, China, South Korea, Colombia, Denmark and has been reviewed in such publications as ArtForum, Artillery, and Sculpture Magazine.

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