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This artwork is a diptych of two pieces of 60x40 cm each. Series EPHEMERAL NESSENCE DIARIES.

Very often, when I am painting, I know that there are parts of my work that I must sacrifice for the sake of the composition of the painting as a whole.

Before continuing I take photos of the interesting parts that were ephemeral then, but that I have decided to reconvert into something different, new and lasting ever since. These portraits, diary of recovered fragments of my stroke, represent the inner world of my thoughts on that particular day when I was working on a painting that became a different version of my self.

About the material:

• Glicée Fine Art Print limited edition of 3

• paper: Hahnemühle William Turner (310 g / m²). Matte watercolor texture, natural white, handmade style paper.

• 60x40 cm X 2 modules.

• Signed and numbered on the front.

• carefully rolled on a tube and packaged inside a box
module 1
module 2
This artwork is a diptych of two pieces of 60x40 cm each. Series EPHEMERAL NESSENCE DIARIES.

Very often, when I am painting, I know that there are parts of my work that I must sacrifice for the sake of the composition of the painting as a whole.

Before continuing I take photos of the interesting parts that were ephemeral then, but that I have decided to reconvert into something different, new and lasting ever since. These portraits, diary of recovered fragments of my stroke, represent the inner world of my thoughts on that particular day when I was working on a painting that became a different version of my self.

About the material:

• Glicée Fine Art Print limited edition of 3

• paper: Hahnemühle William Turner (310 g / m²). Matte watercolor texture, natural white, handmade style paper.

• 60x40 cm X 2 modules.

• Signed and numbered on the front.

• carefully rolled on a tube and packaged inside a box
This artwork is a diptych of two pieces of 60x40 cm each. Series EPHEMERAL NESSENCE DIARIES.

Very often, when I am painting, I know that there are parts of my work that I must sacrifice for the sake of the composition of the painting as a whole.

Before continuing I take photos of the interesting parts that were ephemeral then, but that I have decided to reconvert into something different, new and lasting ever since. These portraits, diary of recovered fragments of my stroke, represent the inner world of my thoughts on that particular day when I was working on a painting that became a different version of my self.

About the material:

• Glicée Fine Art Print limited edition of 3

• paper: Hahnemühle William Turner (310 g / m²). Matte watercolor texture, natural white, handmade style paper.

• 60x40 cm X 2 modules.

• Signed and numbered on the front.

• carefully rolled on a tube and packaged inside a box
This artwork is a diptych of two pieces of 60x40 cm each. Series EPHEMERAL NESSENCE DIARIES.

Very often, when I am painting, I know that there are parts of my work that I must sacrifice for the sake of the composition of the painting as a whole.

Before continuing I take photos of the interesting parts that were ephemeral then, but that I have decided to reconvert into something different, new and lasting ever since. These portraits, diary of recovered fragments of my stroke, represent the inner world of my thoughts on that particular day when I was working on a painting that became a different version of my self.

About the material:

• Glicée Fine Art Print limited edition of 3

• paper: Hahnemühle William Turner (310 g / m²). Matte watercolor texture, natural white, handmade style paper.

• 60x40 cm X 2 modules.

• Signed and numbered on the front.

• carefully rolled on a tube and packaged inside a box
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VIEW IN MY ROOM

Diptych Ephemeral Essence diaries 2 - Limited Edition of 3 Artwork

Bego Lafuente

Netherlands

Mixed Media, Acrylic on Paper

Size: 31.5 W x 23.6 H x 0.1 D in

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$2,010

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103 Views
16

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About The Artwork

This artwork is a diptych of two pieces of 60x40 cm each. Series EPHEMERAL NESSENCE DIARIES. Very often, when I am painting, I know that there are parts of my work that I must sacrifice for the sake of the composition of the painting as a whole. Before continuing I take photos of the interesting parts that were ephemeral then, but that I have decided to reconvert into something different, new and lasting ever since. These portraits, diary of recovered fragments of my stroke, represent the inner world of my thoughts on that particular day when I was working on a painting that became a different version of my self. About the material: • Glicée Fine Art Print limited edition of 3 • paper: Hahnemühle William Turner (310 g / m²). Matte watercolor texture, natural white, handmade style paper. • 60x40 cm X 2 modules. • Signed and numbered on the front. • carefully rolled on a tube and packaged inside a box

Details & Dimensions

Multi-paneled Mixed Media:Acrylic on Paper

Artist Produced Limited Edition of:3

Size:31.5 W x 23.6 H x 0.1 D in

Number of Panels:2

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

artist statement “I explore the essence of ART: I am intrigued by the motifs of the works that endure over time, and those that fall into oblivion. I live art as a timeless conversation where not everything is said, where the essential is precisely the unspoken. There are some things in life that are just too hard to put into words. They're so deep and meaningful that they go beyond what language can express. And it's exactly those things, the unsaid, the little shared moments that draw you in and make you a part of the art. When you experience a piece of art, it's like this secret language between you and the artist. You become a vital player, an enthusiastic collaborator in the whole artistic experience. And that's the kind of art that sticks around. That's the kind of art I strive to create in every single piece I make. This conversation we could be having right now, you in front of an artwork, it's like magic. It breathes life into the artwork, making it a forever item. With every interaction, with every different person who engages with it, the art is reborn and finished all over again. It's a beautiful dance between the artist, the artwork, and the viewer, each bringing their own unique touch to the mix. That is what I finally intend when I create my art: I want you to be an active part of my living work. BIO Begoña Lafuente is a versatile artist in the realms of painting, graphic design, and multimedia. Her artistic career was initially grounded in graphic design, which she honed in Madrid during the early 1990s. Begoña skillfully weaves her classical artistic education, holding a degree in Fine Arts, with her commitment to staying at the forefront of evolving art forms. In 2009, she embarked on a new chapter in the Netherlands, where she connected with local and international artists from diverse disciplines. This cross-cultural experience became an integral part of her art, merging seamlessly with the rich tradition of the Spanish school. Begoña's creative palette encompasses an array of techniques, including painting, collage, drawing, photography, scans, and monoprints. Her work consistently features the human face as a symbol of humanity. Her semi-abstract portraits blur the boundaries between the familiar and the abstract, capturing the essence of individuals in elegant simplicity, transcending mere photographic likeness. By amalgamating the recognizable with the abstract, her creations generate emotional and visual tension.

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