Duport Notaları Konturbas Artwork

Art was my way of life. Art in the center of my life has. In my Works there is a thought and a message. Copy or inspiration, does not follow my principles. Own even if it comes from my subconscious I do not want coincidences. Myself I'm afraid to repeat. I drew my own way and keep walking this road I am. My work is always its own It is from my imagination, is original. On my own there are reflections. Although my creativity ability is innate, I think, to research, I love to learn and work. I listen carefully to the masters. In the field of art, painting learning new techniques in sculpture and conceptual works, contacting different artists and watching their views closely is always a source of excitement for me. Painting, conceptual art and sculpture attract my attention. Made with my food sources my comment; my dreams and my thinking system; parallel with the development of my philosophy; abstract It is reflected in my works with symbols. In painting, I work with acrylic oil paints and mixed media on different materials. I prepare my canvases and primer with everything myself; with all of my work should be under my control. Metals, mostly copper plates, my own soil paints make up my bottom layer. On these layers, the bright and intense acry I complete it with pigmented colors. I love colors; my periods of color from time to time is happening. I care about composition. The composition of wholeness in my exhibitions my plans. Pictures, installation, music, color should all be a painting and the viewer should be able to enter right into it. I made the first installation in my exhibition in Izmir State Painting and Sculpture Museum. For the first time than I saw that I can touch people with my thoughts. (2005) After leaving Izmir and moving to Adapazarı and then to Büyükada, Istanbul My painting turned pessimistic because of the space and environment I live in. Blood Flowers series first I did: "Prohibitions" in which man was captured and put himself in an inextricable state I worked as a subject (2007-2011). Like nails on the back of Istanbul that I see while I am going back and forth between Büyükada and the metropolis Naturally, I was impressed by the crashed skyscrapers and their lifestyle. People; gold-scaly how they isolate them by closing them in 1 + 0 cage cells in skyscrapers .. The irony of hugging social platforms when they are lonely (with antennas internet) I worked on the Sky-Cages series (2011-2014).