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Van Gogh as Fisherman in Plexiglass & aluminium dibond
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Fisherman - Limited Edition of 1 Artwork

Maya Almeida

United Kingdom

Mixed Media, C-type on Glass

Size: 31.5 W x 31.5 H x 0.8 D in

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$2,240

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About The Artwork

Based on by “Self-Portrait (Dedicated to Paul Gauguin) (1888)” by Vincent van Gogh. For this piece I used Van Gogh’s fascination and love of the natural world to explore our current relationship to the ocean. Several photographs of fisherman were layered to create the sense of being in a dream world. I played with levels of opacity and blended these to create a canvas that felt less real and more otherworld like. The tone is somewhat purposefully muted to convey the sense of floating in a state of reverie.The colour blue was pushed as this was very present in the artists’ original works. The perspective was elongated to give a sense of grace. I felt this was important some reason. The artwork was created as part of the Saatchi Art "The Other Avatars" NFT project. The project was a huge divergence for me, but this drove me to creatively explore in new and very exciting ways. I tried to marry old with new and understand as much as possible about what we believe to have held meaning for the artist, what fed and drove him…To do this I isolated myself for 3 weeks during the early stage of the creative process in order to truly inhabit another world. Van Gogh was most inspired by Japanese woodblock prints. This influence was so strong that Van Gogh’s even changed his style and subject matter. He was particularly taken by the Ukiyo-e style which were in essence pictures of an imagined floating fleeting world. This work alluded to the illusionary nature of the natural world… Woodblock prints gave Japanese culture a means of expression combining perception with culture and philosophy of life. Like my own work pieces show a reverence for nature. It is more idealist than realistic. In the self Van Gogh self portrait (dedicated to Gauguin) I learned that such was the influence of Japanese art, that the artist even modified his eyes to look more Japanese. For the creative process, Van Gogh’s self portraits were used as a base and digitally manipulated into the different personas. Just as in the age old process of woodblock prints which involved 4 stages of a process and different craftsmen, I digitally layered different photographs, sketches and experimental pieces from the studio on a blank canvas. Many were Images of the the ocean, the sky and also of fire captured in slow motion. This was completed in Photoshop in order to combine the various elements into a unique digital file. Throughout the process there was a conscious intention to attempt to incorporate the artists’ original style or source of inspiration: Bold contour lines, prominent diagonals, a high or absent horizon, a unique way or representing space with emphasis on foreground and background and giving prominence to the natural world. Dimensions - Image size 80 X 80 cm (32 X 32 inches) set in a contemporary Aluminium backing mounted behind the highest grade plexiglass. Mount: 5mm Crystal clear plexiglas Hi-definition 12 colour printing Certified for 100+ years Backing: Aluminium & wood backing supplied ready to hang. One of a Kind Single Edition – $2000 Available in a single larger size of 100cm (40 X 40 in) - $3000 + shipping Available unframed as Giclée print in the following sizes and editions. GICLÉE PRINT ON HAHNEMÜHLE FINE ART BARYTA PAPER Edition: Limited to 3 copies accompanied by authenticity certificates Print Technique: Canon High-gloss premium inkjet coating for outstanding print results Paper: Hahnemühle Baryta paper 325 gsm, 100% α-cellulose ISO 9706: Museum quality for highest age resistance Acid- and lignin-free Inks certified for 100+ years and professionally framed and finished. Note: Produced with 2 in. of white border to ensure accurate cutting edges Packaging: Rolled in a tube 10″ x 10″ (25 x 25 cm) Edition of 3. – $300 20″ x 20″ (50 x 50 cm) Edition of 2. – $650 40″ x 40″ (100 x 100 cm) Edition of 1. – $1500 Please contact curator@saatchiart.com if you are interested. FOR ADDITIONAL INFORMATION PLEASE CONTACT E-mail: info@m-aya.com WEBSITE http://www.m-aya.com INSTAGRAM https://www.instagram.com/mayawaterart TWITTER https://twitter.com/mayawaterart SAATCHIART https://www.saatchiart.com/mayaalmeida

Details & Dimensions

Mixed Media:C-type on Glass

Original:One-of-a-kind Artwork

Size:31.5 W x 31.5 H x 0.8 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Maya Almeida Araujo has exhibited globally and had sites structurally adapted for her pieces. She is a multidisciplinary visual artist whose practice considers art as a platform for connection. With a focus on the element of water, the work floats between the spheres of still and moving images, artistic installation, and site specific work. Navigating the confluence of nature, art and technology, her work has developed through critical engagement with her own mind and body in a way that examines fundamental questions of how human beings relate to themselves and to their environment. Adopting a unique approach to each work, Maya draws on personal experience, culture and ancient philosophy to create visceral immersive experiences. An invitation to step into an imaginary world in a way that is both sensorial and profoundly intimate. It asks how we can come together and ultimately, heal. London is home but Maya was born in Lisbon to Portuguese/Belgian/German parents. She studied Biology at Imperial College, London. Her artistic path was one of auto-didacticism with training at Central Saint Martins, with best in class equipment manufacturers and under some of the greatest image makers such as Tim Flach and Lois Greenfield. The work consistently pushes technological boundaries in search for a truer realisation of the intended experience. Recent projects have involved developing custom rigs for film-making in the open ocean, multi-screen editing at ground breaking levels of resolution, colour depth, motion, interactive animation environments and producing hyper-textured ambisonic soundscapes. All in partnership with a collective of like-minded artistic collaborators and craftspeople without losing sight of her truth.

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