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This image is a variant edition. There is one edition in gold and black and this one is in full color. The price listed is for a print on canvas. Also available on paper. This print is part of a series called "Smoke Elegies." During the pandemic and the fires walking has been the saving grace of many of us. I use walking as a form of meditation to let my mind see softly, and superimpose images in my imagination as I move through the landscape. I take my camera with me, and later, when I am home, I create collages that reflect the mood of the walk. The leaf sequence speaks to impermanence and the beauty of nature as it changes through the seasons. This version of the Leaf Sequence expresses the feeling of walking on Whidbey Island in the autumn, surrounded by the deep blue grays of the water and the sky. This work is created from my original photography, and a process of deconstructing images and re-creating them through many layers of built-up photographic elements and paint. I am influenced by my years in traditional photography and printmaking. I use digital technology as though it is a stone, a copper plate, a darkroom and an analog press. The final image is produced as a limited edition archival pigment print. This print is not a reproduction of a painting, but a contemporary print in which the print itself is the only form in which the artwork exists. Prints are meticulously proofed and printed on rag paper, with pigment inks rated to last for 100 years or more. The prints come with a certificate of authenticity verifying the edition number and the edition size. Framing: Prints are sold unframed. Packaging Detail: Prints are shipped flat in a sturdy cardboard mailer. This original artwork is ©Iskra Fine Art and may not be reproduced in any form without permission.
This image is a variant edition. There is one edition in gold and black and this one is in full color. The price listed is for a print on canvas. Also available on paper. This print is part of a series called "Smoke Elegies." During the pandemic and the fires walking has been the saving grace of many of us. I use walking as a form of meditation to let my mind see softly, and superimpose images in my imagination as I move through the landscape. I take my camera with me, and later, when I am home, I create collages that reflect the mood of the walk. The leaf sequence speaks to impermanence and the beauty of nature as it changes through the seasons. This version of the Leaf Sequence expresses the feeling of walking on Whidbey Island in the autumn, surrounded by the deep blue grays of the water and the sky. This work is created from my original photography, and a process of deconstructing images and re-creating them through many layers of built-up photographic elements and paint. I am influenced by my years in traditional photography and printmaking. I use digital technology as though it is a stone, a copper plate, a darkroom and an analog press. The final image is produced as a limited edition archival pigment print. This print is not a reproduction of a painting, but a contemporary print in which the print itself is the only form in which the artwork exists. Prints are meticulously proofed and printed on rag paper, with pigment inks rated to last for 100 years or more. The prints come with a certificate of authenticity verifying the edition number and the edition size. Framing: Prints are sold unframed. Packaging Detail: Prints are shipped flat in a sturdy cardboard mailer. This original artwork is ©Iskra Fine Art and may not be reproduced in any form without permission.
This image is a variant edition. There is one edition in gold and black and this one is in full color. The price listed is for a print on canvas. Also available on paper. This print is part of a series called "Smoke Elegies." During the pandemic and the fires walking has been the saving grace of many of us. I use walking as a form of meditation to let my mind see softly, and superimpose images in my imagination as I move through the landscape. I take my camera with me, and later, when I am home, I create collages that reflect the mood of the walk. The leaf sequence speaks to impermanence and the beauty of nature as it changes through the seasons. This version of the Leaf Sequence expresses the feeling of walking on Whidbey Island in the autumn, surrounded by the deep blue grays of the water and the sky. This work is created from my original photography, and a process of deconstructing images and re-creating them through many layers of built-up photographic elements and paint. I am influenced by my years in traditional photography and printmaking. I use digital technology as though it is a stone, a copper plate, a darkroom and an analog press. The final image is produced as a limited edition archival pigment print. This print is not a reproduction of a painting, but a contemporary print in which the print itself is the only form in which the artwork exists. Prints are meticulously proofed and printed on rag paper, with pigment inks rated to last for 100 years or more. The prints come with a certificate of authenticity verifying the edition number and the edition size. Framing: Prints are sold unframed. Packaging Detail: Prints are shipped flat in a sturdy cardboard mailer. This original artwork is ©Iskra Fine Art and may not be reproduced in any form without permission.
This image is a variant edition. There is one edition in gold and black and this one is in full color. The price listed is for a print on canvas. Also available on paper. This print is part of a series called "Smoke Elegies." During the pandemic and the fires walking has been the saving grace of many of us. I use walking as a form of meditation to let my mind see softly, and superimpose images in my imagination as I move through the landscape. I take my camera with me, and later, when I am home, I create collages that reflect the mood of the walk. The leaf sequence speaks to impermanence and the beauty of nature as it changes through the seasons. This version of the Leaf Sequence expresses the feeling of walking on Whidbey Island in the autumn, surrounded by the deep blue grays of the water and the sky. This work is created from my original photography, and a process of deconstructing images and re-creating them through many layers of built-up photographic elements and paint. I am influenced by my years in traditional photography and printmaking. I use digital technology as though it is a stone, a copper plate, a darkroom and an analog press. The final image is produced as a limited edition archival pigment print. This print is not a reproduction of a painting, but a contemporary print in which the print itself is the only form in which the artwork exists. Prints are meticulously proofed and printed on rag paper, with pigment inks rated to last for 100 years or more. The prints come with a certificate of authenticity verifying the edition number and the edition size. Framing: Prints are sold unframed. Packaging Detail: Prints are shipped flat in a sturdy cardboard mailer. This original artwork is ©Iskra Fine Art and may not be reproduced in any form without permission.
This image is a variant edition. There is one edition in gold and black and this one is in full color. The price listed is for a print on canvas. Also available on paper. This print is part of a series called "Smoke Elegies." During the pandemic and the fires walking has been the saving grace of many of us. I use walking as a form of meditation to let my mind see softly, and superimpose images in my imagination as I move through the landscape. I take my camera with me, and later, when I am home, I create collages that reflect the mood of the walk. The leaf sequence speaks to impermanence and the beauty of nature as it changes through the seasons. This version of the Leaf Sequence expresses the feeling of walking on Whidbey Island in the autumn, surrounded by the deep blue grays of the water and the sky. This work is created from my original photography, and a process of deconstructing images and re-creating them through many layers of built-up photographic elements and paint. I am influenced by my years in traditional photography and printmaking. I use digital technology as though it is a stone, a copper plate, a darkroom and an analog press. The final image is produced as a limited edition archival pigment print. This print is not a reproduction of a painting, but a contemporary print in which the print itself is the only form in which the artwork exists. Prints are meticulously proofed and printed on rag paper, with pigment inks rated to last for 100 years or more. The prints come with a certificate of authenticity verifying the edition number and the edition size. Framing: Prints are sold unframed. Packaging Detail: Prints are shipped flat in a sturdy cardboard mailer. This original artwork is ©Iskra Fine Art and may not be reproduced in any form without permission.
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Leaf Sequence 2, No 1 - Limited Edition of 5 Artwork

Iskra Johnson

United States

Mixed Media, New Media on Paper

Size: 31.2 W x 20 H x 0.1 D in

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About The Artwork

This image is a variant edition. There is one edition in gold and black and this one is in full color. The price listed is for a print on canvas. Also available on paper. This print is part of a series called "Smoke Elegies." During the pandemic and the fires walking has been the saving grace of many of us. I use walking as a form of meditation to let my mind see softly, and superimpose images in my imagination as I move through the landscape. I take my camera with me, and later, when I am home, I create collages that reflect the mood of the walk. The leaf sequence speaks to impermanence and the beauty of nature as it changes through the seasons. This version of the Leaf Sequence expresses the feeling of walking on Whidbey Island in the autumn, surrounded by the deep blue grays of the water and the sky. This work is created from my original photography, and a process of deconstructing images and re-creating them through many layers of built-up photographic elements and paint. I am influenced by my years in traditional photography and printmaking. I use digital technology as though it is a stone, a copper plate, a darkroom and an analog press. The final image is produced as a limited edition archival pigment print. This print is not a reproduction of a painting, but a contemporary print in which the print itself is the only form in which the artwork exists. Prints are meticulously proofed and printed on rag paper, with pigment inks rated to last for 100 years or more. The prints come with a certificate of authenticity verifying the edition number and the edition size. Framing: Prints are sold unframed. Packaging Detail: Prints are shipped flat in a sturdy cardboard mailer. This original artwork is ©Iskra Fine Art and may not be reproduced in any form without permission.

Details & Dimensions

Mixed Media:New Media on Paper

Artist Produced Limited Edition of:5

Size:31.2 W x 20 H x 0.1 D in

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Throughout my work I explore impermanence as it occurs in the urban landscape and in nature. My architectural prints and mixed media pieces focus on the radical reshaping of the built landscape through gentrification and de-industrialization. As we are confronted with change and our relationship to it, I am interested in the question of how much of the past we value and hold onto, and how much we let go to make the future our “now.” My work lives on the edge between nostalgia and accommodation, mediating through the elements of surface and iconic structure to a conversation about history, identity and sense of place. I have been a calligrapher and letter form artist for much of my professional art career, creating well known brandmarks for film, books and packaging. I have created custom typographic identities for Kitty Kelly, Clive Barker, Naomi Judd, and Anne Rice among others, and movie titling for Dreamworks and Walt Disney. As a fine artist I bring my passion for mark making and the architecture of letter forms into the abstract realm. I have a calligrapher's subtle sense of surface and texture, and incorporate calligraphic mark making into many of my pieces. I use photography, digital composition, printmaking, mixed media and collage, shifting as needed to suit my subject matter. I embrace new media and the infinite ways in which the analog and the digital can be shaken, stirred and poured into a new creative form.

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