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View In My Room
Mixed Media, Photography on Fine Art Paper
Size: 11.8 W x 15.7 H x 1.2 D in
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This series aims to compel the observer to confront the ephemeral nature of aesthetics. The images, initially beauty and fashion photographs taken by the artist himself, have been transformed in color, appearance, and texture through the use of oils and paints, creating unique and unrepeatable artworks. This thorough deconstruction challenges traditional aesthetic norms and serves as a powerful commentary on the superficiality with which we often perceive beauty. In this way, the project becomes a critique of image-centric society, highlighting how the concept of beauty can be easily manipulated and distorted by those who hold the power to define what is considered beautiful. It is an invitation to look beyond appearances, to find beauty in cracks and wounds, and to recognize that it is through its very destruction that beauty can be reborn and reveal its deepest essence.
2024
Photography on Fine Art Paper
One-of-a-kind Artwork
11.8 W x 15.7 H x 1.2 D in
Black
Yes
Ships in a Box
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Italy.
Shipments from Italy may experience delays due to country's regulations for exporting valuable artworks.
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In 1981, at the age of 17, I discovered photography thanks to a camera gifted to me by my father. Initially, I didn't know how to fully utilize it, but soon realized it would become my preferred form of communication. Reading a book by Andreas Feininger, I came across a phrase that deeply inspired me: "He who cannot create an interesting photograph with an inexpensive camera, is unlikely to achieve something better with a costly one." I began with still-life photography to study light and form. This self-taught journey lasted for seven years. I decided to abandon my engineering studies to fully dedicate myself to photography. In 1988, I moved to Milan, presenting my first portfolio. In just two months, I secured my first professional assignment, thanks to Alberto Nodolini, the Art director of Vogue. It was the era of Made in Italy, and in the following years, I solidified my career. In 1999, I opened my first studio in Milan, at Via Watt 10, in an old bolt factory. I chose to maintain the original aspect of the space, transforming it into a bright loft with various settings for photographic sets. Since 1998, in addition to photography, I have taught and worked as a journalist. In workshops, I do not showcase my own work or discuss technicalities; instead, I focus on method. I strive to bring out the individual expression of each participant without overly influencing them. I have collaborated with numerous companies and advertising agencies, creating campaigns for Alitalia, Avon, Cinzano, Cotril, Deborah, Korff, Kraft, Neauvia, Nivea, Rilastil, The Bridge, and Trussardi. In 2016, I was chosen by Huawei to test the first smartphone cameras, demonstrating how to fully exploit their capabilities. Today's photography, for me, is influenced by technology, but human capacity to see and interpret reality remains important. For this reason, beyond any layout, I always seek to create images capable of conveying emotions and communicating my worldview. Research has always been a cornerstone of my artistic journey, leading me to develop fine-art photography projects aimed at narrating and revealing myself through the visual power of images. The constant search for new inspirations allows me to experiment with new forms of artistic expression, aiming to focus the viewer's attention on specific details and characteristic aspects of the subject, often part of the everyday simplicity that remains invisible to the eye.
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