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Van Gogh Two - Limited Edition of 1 Artwork

Massimo Magee

United Kingdom

Mixed Media, Digital on Other

Size: 39.4 W x 41.9 H x 0.1 D in

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$1,120

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ABOUT THE ARTWORK

Van Gogh Two is an experimental portrait of Van Gogh by Massimo Magee, created using avant garde new media techniques as part of Saatchi Art's groundbreaking The Other Avatars NFT project. This is the physical version of the NFT Vincent #635. The image shown here is a photograph of the actual physical work, not the digital version. It is a large format, one-off, high resolution, UV high dense colour print to transparency film for ultra vibrant colours that have a translucent effect, coming alive with natural or artificial light.

DETAILS AND DIMENSIONS
Mixed Media:

Digital on Other

Original:

One-of-a-kind Artwork

Size:

39.4 W x 41.9 H x 0.1 D in

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Massimo Magee is a writer, artist and musician based in London. He is the author of Manifesto (New Unities), a manifesto for his audiovisual digital art practice, published in 2017, the limited edition multimedia novel The Triptych, and a new audiovisual novel forthcoming from Eleusinian Press. He has been active in experimental and avant garde music for over a decade, and records for New York based 577 Records. In audiovisual art, his practice focuses on the creation of audiovisual digital art objects, each one designed to be read by the computer as both a visual still image and as a piece of audio, these being two readings of the same file in each case. The work draws equally on the twin lineages of abstract image making (particularly abstract expressionist painting) and experimental music, including avant garde classical and free jazz. This practice proposes an entirely new and thoroughly modern form of art in that it posits art objects that can only truly been 'seen' in their original state by the machine: while human observers require the audio and visual readings of the file to be separated out in order to perceive them, the computer sees both audio and visual aspects enmeshed within and between each other in the one file. In this way, the pieces examine the gulf between organic and electronic perception.

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