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Armature in Red, No. 1 - Limited Edition of 5 Artwork

Iskra Johnson

United States

Mixed Media, Digital on Paper

Size: 24 W x 36 H x 2 D in

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73 Views
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About The Artwork

"Armature in Red," 1/5, 36 x 24" Limited Edition Fine Art Print on canvas, also available on paper Additional Size available: 20 x 13 image on 17 x 22 sheet, edition of 35, $380 including shipping This is the first in a series of meditations on Pioneer Square, the historic district of Seattle. The structure on top of this building is a container for something long gone, the extinct water tower. It is a sentinel of sorts, and an architectural wonder. Poised between the streets and the sky, it offers judgement or absolution, depending on the color of the sky. Canvas prints are gallery wrapped and allow the work to float without glass or impingement in an urban interior. All prints are meticulously proofed by me personally. Prints on paper (Hahnemühle German Etching) are signed and numbered on the front, just below the image edge, and canvas is signed on the back support braces. All prints are created using archival pigment inks rated to last for 100 years or more. The prints come with a certificate of authenticity verifying the edition number and the edition size. Prints are sold unframed. This original artwork is © Iskra Fine Art and may not be reproduced in any form without permission.

Details & Dimensions

Mixed Media:Digital on Paper

Artist Produced Limited Edition of:5

Size:24 W x 36 H x 2 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Throughout my work I explore impermanence as it occurs in the urban landscape and in nature. My architectural prints and mixed media pieces focus on the radical reshaping of the built landscape through gentrification and de-industrialization. As we are confronted with change and our relationship to it, I am interested in the question of how much of the past we value and hold onto, and how much we let go to make the future our “now.” My work lives on the edge between nostalgia and accommodation, mediating through the elements of surface and iconic structure to a conversation about history, identity and sense of place. I have been a calligrapher and letter form artist for much of my professional art career, creating well known brandmarks for film, books and packaging. I have created custom typographic identities for Kitty Kelly, Clive Barker, Naomi Judd, and Anne Rice among others, and movie titling for Dreamworks and Walt Disney. As a fine artist I bring my passion for mark making and the architecture of letter forms into the abstract realm. I have a calligrapher's subtle sense of surface and texture, and incorporate calligraphic mark making into many of my pieces. I use photography, digital composition, printmaking, mixed media and collage, shifting as needed to suit my subject matter. I embrace new media and the infinite ways in which the analog and the digital can be shaken, stirred and poured into a new creative form.

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