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Installation view in 'Eternal Return a.k.a. No Point of Turning Back'
Installation view in 'Eternal Return a.k.a. No Point of Turning Back'
Installation view in 'Eternal Return a.k.a. No Point of Turning Back'
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* Artwork

Villő Horváth


New Media

Size: 21.3 W x 17.7 H x 7.9 D in

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About The Artwork

//Backlight print on plexi, lit by LED// ’*’ is a manipulated photo of my bellybotton. My art teacher used to say ’you’re staring at our bellybutton’ if we presented our new works with no professional but personal toughts. This one’s dedicated to her. Apart from that it represents a star, a glance of a crystal which resonate with the star-like ligths shining through the textile tent from the gallery space (which can’t be seen) and the crystals which can be found all over the place. It can also be read as ’O’. Letters N, O, *=O and e are all over the installation, making it possible to read them in different ways depending on your physical point of view. Noe One (as the graffiti scene uses it) Neon No On Ne (means no in Hungarian) Words of uncertainty, hesitation, leaving marks – things that surround us and define our actions.

Details & Dimensions

New Media:plexi on Plastic

Original:One-of-a-kind Artwork

Size:21.3 W x 17.7 H x 7.9 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments. The evolution of technology creates many new influences for our eyes. With the constant increase of monitors we are exposed to unnatural effects on a daily basis. When looking sideways after watching a monitor there will always be a strong after-image, if we photograph a computer’s monitor with a mobile phone then there will be an interference between pixels. My works are inspired by these sensual deceptions which we are accustomed to by today. The inner workings of our world build upon constant change. Natural sciences and psychology alike study the correlation between action and reaction. The basic flow of the human life's phenomena is no different. My works are an analogy to this constant change by playing with retinal perception and sensation. They test the impeccability of stored memories and broaden the momentary sight with after-images. Our movement in accordance with the picture’s surface changes what we see and perceive of the picture. The works start to live as soon as they establish a connection to the viewer - in the “now” - and their integrity ends when the contact between viewer and picture ceases to be.

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