405 Views
3
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Painting, Acrylic on Wood
Size: 12 W x 12 H x 1 D in
Ships in a Box
405 Views
3
Mixed media on wood panel, the painting is ready to hang. Signed in the front. The sides are painted black with signs of the color layering process. This painting is almost a sculpture combining texture and color. The texture was created by layers of papers and plaster to give a 3D effect. I use simplified color scheme to balance between texture and color. The white and black colors are pigments mixed with water and glue and applied as the last layers. The water allows the pigment to flow through the texture and enhances all the small cracks. To balance the strong feeling of the texture in the middle I added a faux branch I made out of Polymer clay. My work is all about finding balance. I started painting to find balance in my life, and this is my inspiration.
Acrylic on Wood
One-of-a-kind Artwork
12 W x 12 H x 1 D in
Not Framed
Not applicable
Ships in a Box
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Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
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In my art, whether it is in the subject matter or the technique, I always ask: “What is behind all that?” It can be a message or a feeling. I create art that reveals and hides, exposes and conceals. I like the viewer to wonder and imagine. When I begin a painting, I never know what the end results will be. I start by laying in the larger shapes which define the structure and set the movement of the piece. I further enhance the design to establish a strong composition. I add texture and color to generate tension within the elements, and I use the layers to add depth and a three-dimensional illusion. As a mixed media artist, I work with ordinary, everyday materials, such as paper, cardboard, sand, and spackle. My favorite technique is pouring water mixed with glue and pure pigments over the texture I have created, that grounds the piece. The water finds its natural flow and accentuates and reveals the surface finish. The biggest challenge I face comes at the end of creating a piece. I stop when the painting is pleasing to my eye, and I see balance in the composition and colors. The real interpretation of the paintings is not what I see, I cherish what the individual viewer sees.
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