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17.02.19 Study II Painting

Evie Banks

United Kingdom

Painting, Acrylic on Wood

Size: 34.6 W x 48 H x 0.5 D in

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72 Views
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About The Artwork

Inspired by an internalisation of the landscape of St Ives, Cornwall. I use colour in a playful and experimentation manner with reference to phenomenology, as a way of visualising to you my intimate internalisation of the natural landscape. Combination of gestural mark and digital line work together to provide different perspectives and guide the viewer's eye around the painting, creating a map for exploration. I take inspiration from the St Ives artists and their approach to the landscape, with reference to Barbara Hepworth, Ben Nicholson, Patrick Heron and Terry Frost. French cleats provided with painting for easy installation. Smooth finish using Liquitex paint.

Details & Dimensions

Painting:Acrylic on Wood

Original:One-of-a-kind Artwork

Size:34.6 W x 48 H x 0.5 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I am a painter based in Cardiff that graduated from Cardiff School of Art and Design in 2019 with a first-class degree. Through paint I attempt to create an original visual language, to open up a refreshing and sentient perspective of the natural landscape of St Ives, Cornwall. In reference to phenomenology, this is identifiable as an integrated or embodied experience. Phenomenology allows us to explore our relationship to the world using all our senses. Central to this is the argument that the body is a form of consciousness underpinning all action, Merleau-Ponty argues that “there is not in the normal subject a tactile experience and also a visual one, but an integrated experience to which it is impossible to gauge the contribution of each sense” (Merleau-Ponty: 1945). My practice considers phenomenological experience as a way to translate and visualise how I internalise and engage with the natural landscape. My practice is explorative and experimental as I attempt to challenge both my theoretical concepts and technical approaches to painting, to increase visual dynamic. My process is intuitive, working instinctively with no preconceived notion of the end image. With a basis in colour theory and aesthetics, I use colour in a playful manner as an extension of the landscape. Through integrated and complex layers of brush strokes, graphic line, colour blocks and repeat patterns, I aim to increase visual dynamic and depth, to create a pathway for visual exploration.

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