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Painting, Handmade Paper on Paper
Size: 12 W x 12 H x 1 D in
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ABOUT THE ARTWORK
“A Land with No Name” uses paintings to break down and reconfigure how we think of place, nation, identity, and gender. In this series, these transformations are represented by breaking down the canvas. In some paintings it is shredded and cut, in others burned and etched with a laser cutter. The destruction and remaking of materials have long been a key component of my artistic practice. The hand-made paper in this series is recycled from 2017 editions of the New York Times featuring headlines about Trump’s “Muslim ban.” Literally dissolving the news through this papermaking process reflects our current political reality—each new day brings dramatic news, however, the impact of these profound political events is quickly forgotten, making way for the next wave of increasingly shocking news.
Original Created:
2019
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DETAILS AND DIMENSIONS
Painting:
Handmade Paper on Paper
Original:
One-of-a-kind Artwork
Size:
12 W x 12 H x 1 D in
Frame:
Black
Ready to Hang:
Yes
Packaging:
Ships in a Box
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Ships From:
United States.
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Sara Madandar
United States
Sara Madandar is an Iranian multi-disciplinary artist and educator based in New Orleans. She received her MFA from the University of Texas at Austin and her BA in painting from Azad University of Art and Architecture in Tehran. Through a range of media such as painting, video, installation, and performance, Madandar explores migration and the human experience of living between cultures, using the aesthetics of language, clothing, and bodies to study the complexities of cross-cultural experiences. Most recently, she was in residency at Joan Mitchell Center and Santa Fe Art Institute (SFAI). Sara is also a co-founder of the Parlour Gallery and Camp Street Studios, an artist-run space in the heart of New Orleans' downtown art district. Some of her accolades include an award from the Texas Visual Artists Association (TVAA) and an award from the Southeastern College Art Conference (SECAC) for work presented in an exhibition curated by Jessica Beck of the Andy Warhol Museum. Sara’s work has been featured at New Orleans Museum of Art, New Orleans Contemporary Art Center, Austin City Hall, Elisabeth Ney Museum, Elga Wimmer PCC (NYC), and many others. Sara will be in residency at Santa Fe Art Institute (SFAI) in the summer of 2022.
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