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View In My Room

A Figure in a Positive Light Painting

Adrian Flaherty

United Kingdom

Painting, Acrylic on Canvas

Size: 33.1 W x 23.2 H x 0.8 D in

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$610

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ABOUT THE ARTWORK

This painting was inspired by a life drawing class I did many years ago. It was made using string to outline the body which then had the primary colours and black poured onto whilst vertical. So red from one side opposed by black, and yellow poured facing blue. The colours meant to symbolise that us humans are made of the same simple elements and can be interpreted as the person is being affected by positive forces battling against darkness, and expression against negativity. The body can be seen to be slowly raising itself up as light (the white lines drawn later) hits the figure from the positive side. Three pieces of one-meter-long string were used to draw out the body taking inspiration from Marcel Duchamp’s Three Standard Stoppages. The use of string and poured paint has been used many times in my paintings as I create work that explores both chance and reason. The canvas has hanging wire attached.

DETAILS AND DIMENSIONS
Painting:

Acrylic on Canvas

Original:

One-of-a-kind Artwork

Size:

33.1 W x 23.2 H x 0.8 D in

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I am a South Londoner since birth. My "Home-Works" which I have been working on for the last 7 years project developed at the same time as the debates over Brexit were being formed. However, since completing my degree course my work has moved away from this more introverted, self-improvement way of working to one where I have also been addressing the need to make connections to others and to work. This was the basis of the project producing paintings in response to each bridge along the River Thames (currently up to the edge of London). This project also developed the ideas around the question of where is home and led to ideas of what makes up someone's personality in some of my paintings of figures. I have worked across a variety of media, but am now concentrating on paintings with chance processes often incorporated. For example in my Thames project contrasting the flows of the river in London with the structures of the bridges expressing the juxtaposition between nature and the man-made and the chaos/order of city life. I am at the early stages of another project walking the coastal paths along the west coast of England producing paintings of beaches and cliffs again representing the unpredictability and structure of the nature of coastal erosion, tides, etc. The use of chance to form the basis of the paintings, using a mixture of oil and acrylic paint usually, is often offset against more detailed and purposeful aspects as the painting takes on a life of its own, almost.

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