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A Silent Observer (With His Head Caged in the Tesseract) Painting

Anton Slich

Russia

Painting, Oil on Canvas

Size: 39.4 W x 39.4 H x 1 D in

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About The Artwork

A tesseract is a four-dimensional analog of a cube. It is to the cube as the cube is to a square. The problem is that our geometrical perception is limited to three dimensions, which leads to inability of the human mind to apperceive the tesseract. A perceptive system in all cases must be broader than a perceptible one. However, the fact that we cannot comprehend some phenomena does not mean that they do not exist. Neither does it mean that there are no creatures which can. One of such creatures is depicted in the painting. We know nothing about it, its nature, powers or intentions. All we know is that its eyes are wide open. The painting is created with oil and golden leafs. The painting was inspired by the christian theological theories, modern physics and philosophical concepts of the Lumières.

Details & Dimensions

Painting:Oil on Canvas

Original:One-of-a-kind Artwork

Size:39.4 W x 39.4 H x 1 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Anton was born in the Urals in the beginning of 1990s. After finishing school he moved to Moscow to study liberal arts. Anton has never had any professional art training and taught himself looking at the greatest pieces of the world's heritage of fine art. First he tried his hand in making sketches and worked a lot with crayons. The change in technique and manner was inspired by the masters: Picasso converted him to oil, Michelangelo and Capella Sistina revealed the beauty of the human body, Lucien Freud helped to discover it as an instrument for exposing human nature and the drama of people's relations. Anton's works are imaginary, emotional and rich in colors. Gravity center of all the works of Anton is always a human body. He believes that it is a universal language through which every emotion, each state is capable of being expressed. One may consider that such approach limits the artist to depicting a shape of the human body, nude or clothed, in either a distorted and subjective manner or a direct and photo-lookalike one. But this is not true for Anton. To express complex ideas Anton reshapes the body or places it in unusual, surrealistic surroundings. Most of the paintings are of allegoric and visionary nature.

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