VIEW IN MY ROOM
A tongue stuck out Painting
Bulgaria
Painting, Acrylic on Paper
Size: 15.7 W x 27.6 H x 1.6 D in
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About The Artwork
Different circumstances bring in dissimilar nuances. Force majeure notes drive us sometimes in the corner, but this is the wonderful litmus that may color our self-perception. "To know others is wisdom, but to know yourself is a devotion." The tongue makes articulation possible and in this we differ substantially from animals. We do not stick it out deliberately when we are thirsty or asleep. The tongue has its personal space and no wonder its habitat is a semi-dark cave. Who can get it out of there?! For instance, the doctor can command -“Put your tongue out properly!” and prescribe the right medication. But when we undergo a self-prescribed “treatment” with the necessary dose of humor, the tongue can break through the comfort of euphemism by poking out and thus create the necessary distance from things… though it may not seem exactly in this way from a formal point of view. The tongue stuck out as a non-verbal euphemism. The tongue as a new limb, as a reserve player. A city walk ... my jacket sticks its tongue out. The PC freezes Windows, steals minutes split in two and pokes its tongue at me. My heart is emancipated and sticks its tongue out at you... it is like jumping from the last floor of one’s heart, but upwards. Technic: acrylic and pastel on paper. ● “Sediment in process” is a knowhow of the artist - a language for visual description of form and its content.
Details & Dimensions
Painting:Acrylic on Paper
Original:One-of-a-kind Artwork
Size:15.7 W x 27.6 H x 1.6 D in
Frame:Not Framed
Ready to Hang:No
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Bulgaria
● Elitsa Baramova - BARAMÓ lives and works in Sofia. She spent her early childhood years in Cuba with her family. Baramó took first drawing lessons from her father. She grew up in an environment of open-minded parents and world travel. The sun, the colors and the joy of living will flood the palette of her earlier works, and will continue to shine through the later ones. She is freelancing artist from 2001. ● Awards, grants /selected/ for projects: 2021, 2022 - National Culture Fund, BG; 2020/ 21 - Sofia Municipality (art-movie); awards for abstract painting: 2020, 2021 [a] cube contemporary gallery, Sofia/ BG; 2020 - award for mural - "RAL Indoor Murals" project, Philadelphia/ USA; 2005 - "Rolf Broenstrup" Painting Award, Hanover/ BRD; 2003 - painting award, Laatzen, Hanover/ BRD; 2010 - design award, municipality Shabla; 2002 - design award, logo redesign Europalia festival, Belgium, etc. ● Art commissions /selected/: 2018 - 2020 Sofia City Library; 2001 -2008 Sofia Metropolitan Municipality; 2008 - 2020 Ergo publishing house, book design; from 2019 - art director and overall design concept of HINSA art foundation (international project) ● National representative in international events: 2021 - XI Symposium Pappenheim Castle/ Hungary; 2008 - Symposium "EUropas Mitte", Fulda/ BRD, 2002 - Symposium of Union of Artists, Wernigerrode/ BRD; 2001 - IV Jeux de la Francophonie, Ottawa/ Canada, etc. ● Artistic practice: painting, video art, happening, installation, giclée print, photography, drawing, graphic design (book, poster, corporate identity), copywriting, contemporary jewelry objects. Techniques used: acrylic, oil, watercolor, gouache, pastel, mixed media, pencil, lavis, litho, Giclée print. Baramó often involves conceptual texts with the visual part. She is classified as a neo-existentialist painter by prof. PhD Kr. Delchev (see critical study https://www.baramo.art/criticism-the-architect-project). The author has avant-garde quests and is a creator of the visual language "Sediment Process". ● Publications www.baramo.art Some critical studies of exhibitions and art-film in Bulgarian media – translated: Baramó Art / Contemporary Art / Critical Contribution (baramo.
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